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Last minute Halloween makeup ideas from the horrors at LCF

That’s right, Halloween is just around the corner and we know what it’s like – you should be excited but you’ve been so wrapped up and busy getting back into uni life that suddenly it’s a day before the big All Hallows Eve, all the good outfits are sold out, it’s too late to mail order and you’re stuck with a pair of fangs, some eyeliner and a ripped up sheet.

But fear not! Thanks to the wonders of Instagram, we have spotted some wonderful creativity coming out of our BA (Hons) Hair, Make-Up and Prosthetics for Performance course, just in time for Friday. We were so impressed with their ideas that we have enlisted their help to get us in the party mood and give us some much needed tips on using make-up to terrify and amaze our friends and fellow party-goers.

1. The half-dead

@muamaya

@muamayaman

What with the clocks going back and the season change, we’re all feeling pretty wretched. With @muamayaman’s look you really can be pretty and wretched – a half and half skeleton face with incredible detail. The artist told us:

This one was a workshop creating a skull influenced by Billyb’s makeup in Lady Gaga’s music video “Born this way”. I used my aqua pallet and ‘carbon’ M•A•C eye shadow finishing off with Collection 2000′s liquid eyeliner to add the cracked detailing.”

2. Smiling through the pain

@muamayaman

@muamayaman

Another one from @muamayaman, it’s simple and horrifying and cute, all at the same time:

“This is Halloween inspired makeup on my sister. I’ve used Liquid latex, and my Derma greasepaint pallet, finished of with my M•A•C “Russian Red” lipstick.”

3. The full skull shocker

@tabithalimakeup

@tabithalimakeup

@tabithlimakeup has taken on the full skull, really working into the design to create shadowy crevices and puckered bones to set your teeth on edge – don’t creep up on anyone in the dark. Tabitha told us:

“The look is part of our enhancing and distorting a performer project. I used aqua colours for the general basic colours, shapes and shadows, and then I defined the lines using mac eye shadows and a felt line.”

4. The beautiful and the damned

@hollynicoleish

@hollynicoleish

Perhaps you’re more about creating something hauntingly beautiful? @hollynicoleish has some inspiration for you –  a creation with black lace, whited out face and bewitching eyelids:

“It was a fashion and editorial look using lace on the skin and a lace pattern over the lid.”

5. Zombie on ice

@kessiaharthur

@kessiaharthur

We don’t even know where to start with this one… it’s just so gruesome. If you want to really terrify, try the frozen zombie from @kessiaharthur (kessiahfilmdesign.co.uk) who created this on one of our Short Courses - Special Effects Makeup for Film and TV tutored by Susanna Peretz. Chilling.

6. Straight up gore

@eddlezteddlez

@eddlezteddlez

@eddleteddlez (edmellormua.weebly.com/portfoliohas got the gory look nailed – or rather, slashed –  with this one. A handy way to horror-up whatever you’re wearing on the night.

We’ll leave you with those images burning their way into your mind’s eye. Before the nightmares get to you, we’d love to see your Halloween creations so give us a fright on Instagram @lcflondon_ and Twitter @LCFLondon.

Happy Halloween fashion horrors!

The post Last minute Halloween makeup ideas from the horrors at LCF appeared first on LCF News.

Journalism Guest Speaker Review // The VICE Vision of Journalism

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VICE’s Bruno Bayley gave the second talk in this year’s LCC Journalism Guest Speaker series. Image © Diana Tleuliyeva

On Tuesday 21 October, LCC welcomed Bruno Bayley, European Managing Editor of VICE for the second lecture in the Journalism Guest Speaker series. Third-year BA (Hons) Journalism student Diana Tleuliyeva reports.

Bayley’s lecture on the VICE vision of journalism was hotly anticipated by many – the audience ranged from UAL to City University and even Bristol University students. Everyone was intrigued to get an insight into the most provocative magazine in the country.

Since the time of its establishment in the UK in 2002, VICE magazine has undergone a lot of changes. It’s gone from being a magazine “hated for its humour” to being innovative in the way news and pop culture is covered.

“A part of my job is to make the magazine better without making it a different magazine. So, it’s about balancing, keeping that tone and the things people liked about it but actually improving the quality of it: better writers, better photographers,” said Bayley.

Bayley believes the video content on VICE has helped massively to change people’s perceptions about the magazine. A recent documentary about the Islamic State is one example.

“When I started working at VICE, there were only a few serious articles, but now we have documentaries and even a news channel. A lot of people will be surprised how VICE has changed.”

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A packed Main Lecture Theatre for Bayley’s talk. Image © Diana Tleuliyeva

VICE is known for championing the “immersionist” school of journalism and Bayley stressed this throughout the lecture: “I’d rather commission a story when someone says ‘I’m going to go to this place and do this’ rather than pieces written from a removed situation. Be immersive as much as possible.”

So, how do you get a job at a publication like VICE? Bayley recommends being proactive and useful in the workplace and doing as much work as possible.

“A lot of the journalists were interns who did well and then became regular contributors, usually progressing from the online version and then writing longer features for the magazine.”

Internships are advertised online throughout the year, giving opportunities to work for one of ten channels. Bayley himself started by writing reviews and conducting vox-pops for VICE in 2007.

Good engaging ideas are a part of the magazine’s DNA. Bayley explained: “We like to cover things that either other people haven’t covered hugely, that people wouldn’t read about elsewhere, or cover a story in a slightly different way.”

Many still accuse VICE of being too biased in comparison to the mainstream media. Obviously, objectivity is the goal of any serious publication and VICE is not an exception:

“We try to be unbiased. For example, in the Syria issue, we had an article written from Syria by pro-regime and rebel people. It’s a good example to show that we try to be as representative as possible, showing different sides.”

Founded as a fanzine in Montreal in 1994, VICE now distributes a free monthly magazine in multiple languages in 29 countries. Its ten vertical content channels cover various topics from food to technology.

In 20 years, VICE has become a global success, engaging millions of young people across the world.

Words by Diana Tleuliyeva

View the full Journalism Guest Speaker series

Read a review of ‘BBC News and the Digital Future

Read about BA (Hons) Journalism

 

The post Journalism Guest Speaker Review // The VICE Vision of Journalism appeared first on London College of Communication Blog.

The Art of Dress, a fashion film

LCF alumnus, Gsus Lopez, has created a fashion film for LCF’s Art of Dress exhibition. The exhibition, which is currently touring five international cities of style, celebrates that iconic item, the dress.

LCF talent in the form of both alumni and academics are involved in every stage of the exhibition as it visits New York, Dubai, Shanghai, Florence and London.

Gsus’ Art of Dress film stars Holly Weston, Keira Duffy and Jose Wickert and features some of the incredible dresses from the exhibition. Keira, as the lady in waiting wears a dress from Casey Gan (BA Hons Fashion Design Technology: Womenswear 2012)  whilst Jose as footman wears both Alexis Housden‘s (BA Hons Fashion Design Technology: Menswear 2013) pink menswear and Harriet O’Connor’s dress. Holly as queen wear’s Rachel O’Mahoney‘s ‘Elizabeth’ dress.

Gsus graduated from part-time BA (Hons) Fashion Media this year and has since gone on to create a successful kickstarter project, the film OUT.

The post The Art of Dress, a fashion film appeared first on LCF News.

Students from RMIT University, Melbourne visit LCC for graphic design workshop

RMIT 2014

RMIT students combine word and image. Photography © Vladimir Molico

London College of Communication recently hosted a group of students from RMIT University, Melbourne, Australia for a word- and image-based design workshop.

The students collaborated with MA Graphic Design Lead Tutor Vanessa Price to generate material in response to the immediate vicinity of the Elephant and Castle.

We asked Vanessa to tell us more about this workshop and the research project from which it developed:

Through the cityscape of the Elephant and the texts and narratives of its everyday life, the RMIT workshop re-imagined how graphic design could enable us to become more ‘writerly readers’ of our visual culture.

The collaboration and knowledge-sharing with RMIT is ongoing as students continue to develop the project back in Melbourne.

‘Writerly Readers’ is the ongoing research project I lead at LCC. The research has arisen from an archive of the practice-based Writerly Readers workshop undertaken by postgraduate students within the School of Design.

Since 2011, the visual case study for this word and image workshop has been the immediate area around LCC: the Elephant and Castle.

The workshop asks participants to consider how we create and receive visual messages and argues for a model of design through which we can question the provenance of visual texts and the role of graphic design within the wider framework of visual communication.

As graphic design becomes increasingly synonymous with a contemporary visual discourse dominated by commercial advertising culture, a case emerges to develop a more collaborative process that could question the role of graphic design within the visual spectacle.

In considering relationships between authoring and receiving visual messages, the project argues for a model of design that invites the viewer to become more writerly readers of visual meaning.

group at wall

Photography © Vladimir Molico

Read about MA Graphic Design

Read Vanessa Price’s staff profile

Read more about Research at LCC

The post Students from RMIT University, Melbourne visit LCC for graphic design workshop appeared first on London College of Communication Blog.

Drama Centre London Alumna Scoops BBC Playwriting Prize

Ana © Hannah Robins/BBC

Ana © Hannah Robins/BBC

Ana González Bello, who graduated from our BA Acting course in 2012, has won the BBC’s Georgi Markov Prize 2013 for her play Diablo and Romina.

Awarded as part of the BBC’s International Radio Playwriting Competition, the Georgi Markov Prize is given to the writer whose script shows most promise. As the prizewinner Ana receives a two-week return trip to London, enabling her to spend time with the BBC’s Radio Drama and World Service departments.

The BBC judges praised Ana’s play, saying: “A charming piece, written with great authenticity and a simplicity that was refreshing. The world was well captured and atmospheric, and the threat of violence really well achieved.”

‘Mind-blowing’

Diablo and Romina tells the story of Roxanne Romina. Roxanne lives with her mother in a small town in the south east of Mexico where nothing ever happens, until her cousin Frank returns from America and changes everything.

Inspired by an assignment a journalist friend of hers had taken, Ana took migration as the theme for her play. “I wanted to tell a story from the point of view of those who stay behind,” she explained. “The women in a family where the men move away and have been swallowed and spat out by the American dream.”

Speaking about her win, Ana said: “Writing a play that the BBC, a worldwide referent of quality, thinks shows great potential is mind-blowing. Winning this competition has given me the fuel I needed to want to keep on writing and to get better at it.”

More information:
Drama Centre London
BA Acting
MA Dramatic Writing
The BBC’s full interview with Ana

The post Drama Centre London Alumna Scoops BBC Playwriting Prize appeared first on Central Saint Martins: News.