Archive for the ‘Staff’ category

LCC students’ projects selected by Intel for Digital Summer Trip 2014

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Visiting pupils interact with the ‘Musical Crosswalk’ project

Two projects by MDes Service Design Innovation and MA Interaction Design Communication students were recently selected by Intel to be exhibited in their tent at Digital Summer Trip 2014.

The projects resulted from a three-week exploratory design project between LCC students and technology giants Intel, focused on new opportunities to adopt and seamlessly integrate environmental sensors into daily life.

The students worked with sensors monitoring noise, light, proximity and air quality, developing prototypes and service scenarios for future applications.

They began with the following questions:

  • How can citizens be empowered to change their daily practices and to engage with the environment in new and different ways?
  • How can a non-professional public become empowered to generate knowledge about their environmental conditions?
  • How can Internet of Things (IoT) objects be configured and designed to repair a broken world?
  • What opportunities are there through IoT devices to develop cultural exchanges by gathering information from different regions and countries relating to community/environmental challenges?

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Pupil having demo

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Above: LCC students demonstrate their work at Digital Summer Trip 2014

Finished projects ‘EcoFurby’ and ‘Musical Crosswalk’ were chosen as they fitted well with the playful nature of Intel’s other exhibits at the Digital Summer Trip technology show, which took place from 3-5 July at east London’s Tech City.

The event was aimed at educators and secondary school students, and the video below shows pupils interacting with ‘Musical Crosswalk’, designed to encourage pedestrians, and particularly young people, to cross the road safely:

Read about MDes Service Design Innovation

Read about MA Interaction Design Communication

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LCC Graduate wins both the Santander University of Brighton Enterprise Competition and the UAL SEED Fund

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‘STORY’, Image and design copyright Melanie Smith, WeAreStory, 2014.

Melanie Smith, an LCC Postgraduate Diploma Design for Visual Communication graduate, recently won both the Santander University of Brighton Enterprise Competition and the UAL SEED Fund.

Melanie, who graduated from LCC in 2013, has since gone on to set up her own design company called Smith and Wonder. Before studying at LCC Melanie did a two year foundation degree in Graphic Design at Brighton University. The Santander University of Brighton Enterprise Competition is open to students and graduates of the university and each year the university hosts the competition to find the Most Enterprising Community Project, Most Innovative Product New Product and Most Entrepreneurial Service.

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‘STORY’, Image and design copyright Melanie Smith, WeAreStory, 2014.

The winner of each category was awarded £2750 to invest in their original idea. Melanie won in the Most Innovative Product category for her creative idea of a storytelling kit for children, ‘STORY’.

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‘STORY’, Image and design copyright Melanie Smith, WeAreStory, 2014.

Melanie has also just been awarded the UAL SEED Fund, a scheme that offers up to £5000 worth of funding along with mentoring and legal advice to young entrepreneurs with exciting business ideas. She explains “I really didn’t expect to win both awards, and it means that STORY is very close to becoming a reality for me. It’s exciting to now have the opportunity to work for myself, and bring some of my ideas to life”

Read more about Postgraduate Diploma Design for Visual Communication.

Read more about ‘STORY’. 

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POSTGRADCHAT with Vyara Zlatilova

To celebrate Camberwell College of Arts Postgraduate Summer Show 2014 this week until the 23rd July, we’ve met with students and graduates to talk about their work and future plans.

MA Illustration Vyara Zlatilova designs and illustrates thought-provoking Mother’s Day cards with an anti-abuse message

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CCA: What has your experience at Camberwell been like?

Quite inspiring, I met so many amazing people. What’s most interesting is that each of my classmates has their own unique way of working and approaching a project.

CCA: What did you find was the most valuable technical skill you have learnt whilst studying at the college?

First of all, I developed my digital skills quite a lot during the past year. Basically, before the course, digital illustration was one of my main weaknesses, but since it is a really important part of the industry, I intentionally forced myself into improve in that direction. In doing so, I am really happy that I got a lot of support from my tutors, who encouraged me to push myself and develop my potential further.

Also, until recently, I wasn’t comfortable with using colour at all. My work before the course was mainly monochrome and I was terrified by the idea of mixing colour, because I simply couldn’t understand how it works. So, I am really amazed by how fast I managed to improve in this particular aspect of my work as well.

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CCA: Please tell us about your degree show work?

Since I have a graphic design background, I decided to design and illustrate an advertising campaign against child abuse. Thus, my degree show work is a collection of Mother’s Day greeting cards, which, through provocative abuse related messages, are raising questions regarding the issue of abuse within the family.

I am really interested in the idea of changing the meaning of an image by adding text and subverting the message it communicates to the viewer. For me it was important to attract the audience to the project instead of repelling it by using disturbing images. Therefore, the artworks I produced are aiming to be as visually appealing as possible and to communicate the idea metaphorically rather than directly.

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CCA: What are your plans after you graduate?

I am currently planning to go back to graphic design and hopefully pursue a graphic design/branding career. However, I would definitely try to develop my illustration style further because, in my opinion, the experience I now have as an illustrator gives me a new perspective into graphic design and could play a valuable role in my further development as a creative professional.

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CCA: Any advice for future MA students?

Collaborate and apply for as many competitions, awards and contests as you can. One year is a really short period of time and sometimes it’s hard to balance university projects with outside-college activities, but, if you manage to do it, it can change your way of working drastically, so push yourselves to the limit and if you’re organized and motivated enough you’ll improve really fast.

More about Vyara @ https://www.behance.net/vzlatilova

Instagram  and on Twitter @VyaraZ

Camberwell College is star of fashion shoot for Lurve Magazine

Cover of Lurve Magazine Issue 08 Spring/Summer 2014 with model Adwoa Aboah.

Cover of Lurve Magazine Issue 08 Spring/Summer 2014 with model Adwoa Aboah.

Camberwell College of Arts was featured in luxury fashion magazine Lurve, published this month, following a shoot which took place at the college in the spring term.  While the clothes and model, Adwoa Aboah, took centre stage, the college’s spaces and studios also had a starring role.  The spread features everywhere from the metalwork to the letterpress studios, the kiln room, corridors and studios.  Also featured is work by Camberwell students William Costelloe and Olga Lomaka from BA Painting and Charlotte Campbell from BA Sculpture.

The fashion spread was shot by Magnum photographer Olivia Arthur, well known for her incisive documentary work in Saudi Arabia and India.  Using film, this was her first fashion shoot.

Below are the photos from issue 08 of the magazine, which is available to buy in the UK from Claire de Rouen, Artwords bookstore and Wardour News.

Fashion spread shot at Camberwell College of Arts for Lurve Magazine Issue 08, Spring/Summer 2014.

Fashion spread shot at Camberwell College of Arts for Lurve Magazine Issue 08, Spring/Summer 2014.

 

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Find out more about Lurve Magazine on their website.

Find out more about studying at Camberwell on our course pages.

Research // William Raban’s ‘Beating the Bridges: Richmond to Dartford’ at Museum of London Docklands exhibition

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Still from ‘Beating the Bridges: Richmond to Dartford’ by William Raban. 11’ 15”, 16mm/video, colour, 1998.

‘Beating the Bridges: Richmond to Dartford’ by filmmaker and LCC Professor of Film William Raban is showing in a film installation as part of the Museum of London Docklands’ current ‘Bridge’ exhibition.

The free exhibition, which draws on the museum’s art collections to consider the significance of bridges within the London landscape, is open now until Sunday 2 November.

As well as exploring how London’s bridges allow people to experience the city, the show looks ahead to projects such as Thomas Heatherwick’s ambitious ‘Garden Bridge’ proposal, playing with the ideas of destination and crossing and tackling the key debates surrounding London and its bridges.

William’s 1998 film follows the Thames from the wealthy suburbs of west London, past the familiar landmarks of Chelsea, Westminster and the City, to the industrial flatlands beyond Dartford Bridge.

The 30 bridges spanning this stretch of the river provide acoustic spaces filled on the film’s soundtrack by ambient reverb and a live percussion score.

‘Beating the Bridges’ is presented in its own screening room within the gallery and will show continuously every day.

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‘Beating the Bridges: Richmond to Dartford’ installed at Museum of London Docklands

Read more about Research at London College of Communication.

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POSTGRADCHAT with Valeriya N-Georg

To celebrate Camberwell College of Arts Postgraduate Summer Show 2014 this week until the 23rd July, we’ve met with students and graduates to talk about their work and future plans.

MA Printmaking Valeriya N-Georg investigates the representation of the invisible through fragments of the physical body

 MA Printmaking Valeria N_Georg

CCA: What has your experience at Camberwell been like?

VN: I really enjoyed my two years at Camberwell. The first year I spent experimenting and playing with all the printmaking techniques trying to find something unique and original that I would fall in love with using the amazing workshops. And the second year I concentrated working with my newly born technique and my subject of work, listening to the tutors advice.

CCA: Please tell us about your work

VN: The subject matter of my work is the ultimate mystery of the relationship between the physical human body and the inner self (or the human spirit). Within my practice I am investigating the representation of the invisible through fragments of the physical body. I am interested in exploring the boundaries between the inner and outer body; between the physical and metaphysical; tangible and intangible, by exploring the tactile and the optical image.

MA Printmaking Valeria N_Georg

CCA: What are you showcasing in your degree show?

VN: The works I am creating and showcasing are monotype prints on a gel medium presented on a light box, thus combining media and pushing the boundaries of printmaking. The light box presentation illuminates the ink print made upon the gel surface and conveys a sense of a medical forensic examination on the surgeon’s table. I am showcasing a sculpture and large-scale digital collage prints as well, all made from my monotype prints on layered gel.

MA Printmaking Valeria N_Georg

CCA: What was your inspiration?

VN: I am inspired mostly by scientific and medical sources such as neuroscience and consciousness studies, but also from philosophy and theology. Spending many hours in museum collections about the human body has played a big role in the development of my art too.

MA Printmaking Valeria N_Georg

CCA: What are your plans after you graduate?

VN: First, I will continue creating work in my studio and apply for exhibitions nationally and internationally. My main aim is to get in touch with institutions like the Wellcome Trust and the Hunterian Museum, as I would like to apply for residencies there. To get in touch with scientists interested in collaborations with a visual artist like me is also one of my ambitions.

CCA: Any advice for fellow  students?

VN: Focus on your subject as early as possible and use the very helpful advice from the tutors, and especially from the course leader Johanna Love. She is amazingly supportive and helpful.

More about Valeria @ www.valeriya-n-georg.com

LCF’s Asger Juel Larsen wins International Woolmark Prize European Heat

Asper Juel Larsen - Winner of Woolmark Prize European Heat

Asger Juel Larsen – Winner of Woolmark Prize European Heat with his oversized cream coat. Photo: Vogue.co.uk

LCF 2011 MA Graduate Asger Juel Larsen was successful at winning the European heats for the International Woolmark Prize this week. He will now move on to the final where he will face off against four other menswear designers from Australia, America, Asia, India and the Middle East.

Copenhagen based designer Asger, a BAMA Fashion Design Technology: Menswear graduate, beat nine other names to be honoured in the first dedicated men’s category of the prize’s history. To win the regional semifinal competition, designers were tasked with creating a look made from Merino Wool to show to a panel at the Shangri-La Hotel in Paris.

One judge, director of menswear at Hermes, Veronique Nichanian, commented on Larsen’s excellent delivery:

Asger’s presentation was very structured and well-articulated, his research on fabrics and textures was elaborate and accomplished. The decision was made as one voice.

The decision to crown the London College of Fashion graduate’s oversized cream coat (pictured above) was unanimous according to reports. Other judges on the men’s board included James Leaford, Fashion Editor of GQ France; Sarah Andleman, Creative Director of Colette; and Tim Blanks, Editor-at-Large of Style.com.

Asger was lauded for his “commercial understanding and application of Merino wool” – his oversized cream jacket taking centre stage at the proceedings.

Asger must now design a capsule collection in Merino wool to be showcased during London Collections: Men in January 2015. Success in the final round would see the designer walk away with an additional 100,000 AUD (£54,000) along with the opportunity to be stocked in retailers such as Harvey Nichols in London, Colette in Paris and 10 Corso Como in Milan.

Read More…

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The House of Worth: Portrait of an Archive

The House of Worth: Portrait of an Archive

The House of Worth: Portrait of an Archive by Amy de la Haye & Valerie Mendes

Professor of Dress History and Curatorship, and Centre for Fashion Curation co-director, Amy de la Haye has co-authored a book on the House of Worth Archive with her V&A colleague, Valerie Mendes. The book was 6 years in the making and is published by the V&A, where both have worked as curators.

Charles Frederick Worth was an English designer who made his mark on the French fashion industry in the mid 19th Century and is widely considered the father of Haute Couture.

Their monograph brings together hundreds of photographs selected from the V&A’s unique archive of over 7,000 official house records. The images used capture the Worth style and offer fascinating insights into the daily routine of the House. The book tells the intriguing story of their acquisition and their historical context, and describes Worth’s international clientele of elegant women of wealth and power, from Lillie Langtry and Sarah Bernhardt to the Duchess of Marlborough.

Read More…

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LCC Student wins The Print Futures Award Scheme

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Mirabel Fawcett, 2014.

Mirabel Fawcett, an LCC Postgraduate Diploma Design for Visual Communication student, recently won The Print Futures Award Scheme. The scheme offers grants to support young people studying or training in printing, publishing or the graphic arts. Each year only twenty people are awarded the grants in the UK.

After submitting a written application Mirabel was invited to an interview at the St Bride Foundation. Mirabel showed a selection of her work from different projects, all of which have elements that are tactile and handmade. If possible she binds the books she makes with a needle and thread, and in her latest project she has opted for cutting circles out by hand rather than having them laser-cut.

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Mirabel Fawcett, 2014.

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Mirabel Fawcett, 2014.

Mirabel explains “Continuing the theme of print and its tactile presence which I have been exploring at LCC, I am just starting my final project for the course, which will explore the role of independent publications in a technologically driven society.”

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Mirabel Fawcett, 2014.

Mirabel, who studied Modern Languages before coming to LCC, has a particular interest in the design and production of independent publications, and after completing her course she hopes to gain more experience in print and the graphic arts and then come back to study further.

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Mirabel Fawcett, 2014.

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Mirabel Fawcett, 2014.

 

Read more about the Postgraduate Diploma Design for Visual Communication.

See more of Mirabel’s work.

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Find New Ways to Play in Tuffnell Park

A playful new installation has arrived at in Tuffnell Park, London. The project was concieved and co-ordinated by Central Saint Martins graduates, with support from our widening participation team.

Until 27 July, The Homezone has taken up residence in Lupton Street, outside Eleanor Palmer School. The piece was conceived for Platzdeplay, an innovative collaborative project that works with groups of young people to examine the nature of play and public space.

As part of the project, there will also be urban interventions taking place in Saint-Erme and Stuttgart.

More information:
Find the installation on Google Maps
PlatzdePlay
Widening participation

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