Archive for the ‘Student’ category

New out of hours IT Service Desk

University IT Services are pleased to announce that the Service Desk is now able to offer out of hours support.

Starting from 10 December, staff and students with IT problems will be able to phone our usual Service Desk number (0207 514 9898) for help and support between 5pm to 8am weekdays, plus weekends and holiday periods (including Christmas and bank holidays).

Any questions contact Service Desk on it@arts.ac.uk

Illegal downloads and copyright infringements

University IT Services have been informed by our network provider of several recent copyright infringements, primarily the downloading of pirated current box-office films.

Please be aware that it is illegal to download pirated films, music or any other copyrighted material from the internet. Staff or students found to be doing this using UAL’s internet connection may face disciplinary action or be suspended from work or study.

More information on UAL policy can be found in our IT terms of use. Please contact IT Service Desk via it@arts.ac.uk if you have any questions.

Awarded UAL MPhil Maria Christoforatou exhibits in London

Maria Christoforatou graduated earlier this year from CCW with an MPhil, we caught up with her to talk about her experience at UAL and what she has been doing since.

Why did you choose to study your PhD at CCW? Was it a good experience?

I chose to study at CCW because I was confident in the high academic standards and knowledgeable and experienced tutors. It was challenging and enriching experience throughout.

What was the transition from PhD researcher to independent practitioner like?

Since finishing my PhD/MPhil course, less than a year ago, I had 3 solo exhibitions and several group shows. I feel well equipped to explore and present my ideas and my work. I am ready to dedicate myself to further developing and expand my artistic vision.

How has the PhD/MPhil influenced your work and career?

It gave me a deeper understanding of both the theoretical and practical aspects of art. Also the extensive study and research opened doors to better appropriating the various aspects of my practice.  Most of all it gave me confidence in expressing my ideas and putting them into work.

Tell us about the work you are including in this solo exhibition; is it different from your PhD/MPhil work?

I am expanding the research that I have undertaken and developing new vision and possibilities for my art work.

Maria Christoforatou: Constructing Spaces

28 November – 30 November 2014
The Chocolate Studios, Flat 21, Shepherdess Place 7, London N1 7LJ
RSVP/contact: kornelia.pawlukowska@gmail.com

 

The exhibition Constructing Spaces presents new works by London based artist Maria Christoforatou. Christoforatou works across a variety of medium including drawings on paper, installations, sculpture, oil paintings and most recently collage.

 

Her practice examines the emotional effects of displacement in relation to notions of home as a place of refuge and departure, as well as the ways in which art can expose the effects of forced displacement, making observable such feelings as fear,
pain and loss. It is clear that her own personal experiences from the past, which has seen her lose two homes in fire has had a huge impact on her artistic practice.

Maria Christoforatou Constructing Spaces

Through her research Christoforatou examines critically the relationship between the romanticised notion of home, as a place of safety, security, comfort and belonging, and the emotional and material impact of its loss.

To express this concept, the artist deconstructs architectural and physical elements of a house, that are normally seen but overlooked, such as pipes or scaffoldings, to recreate a variety of pieces. By doing this Christoforatou emphasises that the
concept of a home can be very unstable, precarious and vulnerable reflecting the many changes and insecurities that humans have to face today.

The limited use of colour, the absence of people, the use of subtle lines, juxtaposed with the reproductions of Tudor and Victorian houses, as well as gable houses, are what characterise and distinguish Christoforatou’s work.

About Maria

Maria Christoforatou received her BA (Hons.) in Fine Art from the Athens School of Fine Arts (ASFA) in Greece and her MA in Fine Art from Wimbledon College of Arts, University of the Arts London. Recently she graduated from CCW Chelsea College of Arts, University of the Arts London with an MPhil in Fine Art Practice-based research. As part of her research she has been investigating narratives of home and displacement in contemporary art practice.

She recently had a solo exhibition called ‘Dislocated’ at The Gallery @Idea Store Whitechapel, London, UK (2014) and another called, ‘Un-build’, at the Galeria-Atelier Metamorfose, Porto, Portugal (2013). During her career she has taken part in shows in Greece, UK, Italy, Canada, Germany, The Netherlands and USA, and awarded academic scholarships for her work in Greece (Academy of Athens, IKY). She has also been involved in organizing numbers of workshops in London for Tate Galleries, Barbican, Parasol Unit and The National Gallery as well as in Greece and Italy.

Further information about the artist:

LCC MA Photography final show prizes 2014

Veronique Rolland

’54°0’13.176”N 2°32’52.278”W’, Sproxton Award winner Véronique Rolland, video, 2014.

As part of our Postgraduate Shows 2014, on Tuesday 25 November MA Photography students received a range of prestigious prizes honouring different aspects of photographic practice.

In this sixteenth final show for MA Photography, LCC was very happy to again host the Sproxton Award for Photography as well as awards by Photoworks, MACK, Photofusion and Troika Editions.

The Sproxton Award for Photography
The prize is given each year to one student in the MA Photography final show, as judged by a panel consisting of an industry professional and MA Photography alumnus. The winners receive £1000 to help kickstart their photography careers.

The prize was set up by David Sproxton from Aardman Animations in memory of his brother Andrew Sproxton, who together with Val Williams founded the Impressions Gallery in York in 1972. Judged by Phillip Prodger (National Portrait Gallery) and Kate Elliott (MA Photography 2009 alumna).
Winner: Véronique Rolland

The Photofusion Prize
Located in Brixton, Photofusion is an independent photography resource centre and gallery that offers studio and darkroom hire, digital printing, film processing, training and professional support. It also delivers a wide range of community outreach and participatory projects.

The prize consists of a voucher worth £200 redeemable against any of Photofusion’s services, including mentoring and portfolio advice, scanning, film processing, courses and use of rental facilities. Judged by Paul Ellis and Jenna Banat of Photofusion.
Winner: Xiaoyi Chen

Troika Photography Award
Troika Editions is delighted to support the LCC MA graduate programme with the Troika Photography Award, a 12-month mentoring programme. Judges and Troika Editions co-founders Bridget Coaker and Michael Walter select a winner from the MA degree show.

The successful graduate is supported for 12 months, through curatorial advice and critical reviews during their post-university projects, to the equivalent monetary value of £1500.
Winner: Paloma Tendero

The Photoworks Prize
The winner of the prize is featured and interviewed in the Photoworks online showcase and receives free Photoworks Membership for a year.

Photoworks curates, commissions and publishes photographic work and new writing about photography and produces projects, exhibitions, books, the Brighton Photo Biennial and Photoworks Annual. Judged by Celia Davies, director of Photoworks, and Mariama Attah.
Winner: Holger Pooten
Commendations: Lu Zhang, Sarah Janes

The MACK Award
Publisher MACK presents the MACK Award, established in 2013, which offers the winner a prize of a £200 voucher for the purchase of MACK books, and the opportunity to take part in a three-month internship at MACK’s London office. Judged by Michael Mack, director of MACK.
Winner: Liz Orton
Commendations: Emilie Sandy, Amber Rowlands, Jisun Choi

The MA Photography final show, featuring work by these students and many more, is open until Monday 1 December.

Read more about MA Photography

Visit the LCC Postgraduate Shows 2014 page

The post LCC MA Photography final show prizes 2014 appeared first on London College of Communication Blog.

Call for Papers: Writing Histories of the Moving Image

Writing Histories Cropped_Verdana

Call for Papers

‘Writing Histories of the Moving Image’
A Doctoral symposium to be held on Thursday 26 March 2015 at Central Saint Martins College of Art and Design (University of the Arts London) Kings Cross

Deadline for submission of proposals: 19 January 2015

This call for papers invites submissions for the symposium Writing Histories of the Moving Image.

Moving image studies have been readdressing histories of artists’ film and video, expanded cinema, independent, community and activist film/video since the early 2000s. Recent research has often focussed on practices that go beyond earlier accounts that segregated histories of cinema, art and other forms of reception, distribution and engagement.

Moving image studies thus examine a wide range of histories, including those of exhibition contexts (Balsom, 2013; Uroskie, 2014), alternative approaches to television (Connolly, 2014), or documentary art practice (Demos, 2013). Moving image studies also frequently locates overlooked practices excluded from existing narratives, and in doing so casts a new light on the processes of inclusion and exclusion at work within historical accounts.

The discourse of moving image research reveals that its histories are open, and can be understood from a number of differing theoretical and critical perspectives. Scholars from different fields of academia such as Art History, Anthropology, Philosophy, Gender, Media and Film Studies, have contributed diverse theoretical approaches that have helped to broaden, deepen and contest histories of the moving image.

Writing about artists’ and experimental moving image is therefore built on a fragmentary patchwork of discourses, theoretical concerns and methodologies. While the approaches are diverse, these new histories have often set out to re-read canons, create new narratives, and disrupt boundaries between media and forms of film and video making. In light of these developments, this symposium aims to examine how and why academics today are writing historical narratives about moving image practices.

We invite submissions from speakers that explore new approaches to the histories of the moving image. The day-long symposium will consist of two panels and each speaker will present for 20 minutes. There will also be screening sessions, events relating to The British Artists’ Film and Video Study Collection (part of the Central Saint Martins Museum) and a screening event co-organised with students undertaking the MRES Moving Image at CSM.

The symposium is organised by Claire Holdsworth and Colin Perry, who are currently undertaking PhDs at CSM. It is being organised with support from CSM Research. As well as encouraging submissions relating to PhD and post-doctoral research, we also welcome proposals from academics and curators with insights and interests relating to writing histories of the moving image.

  • Please send a 300-word abstract proposal, and 3-5 keywords, along with your full name, institutional affiliation and a short biography (ca. 50 words).
  • Proposals should be submitted by email with the subject heading “Proposal: Writing Histories” to:
  • Claire Holdsworth (c.holdsworth1@arts.ac.uk) by 19 January 2015

We look forward to receiving your submissions.

Further reading:

Nigel Carrington appointed chair of trustees for Henry Moore Foundation

Nigel Carrington  has been elected Chairman of the Board of Trustees at the Henry Moore Foundation, taking up the post from 4 November. He has been a trustee of the foundation since earlier this year.

Henry Moore sculputre at Chelsea

Henry Moore, Two Piece Reclining Figure No.1

Henry Moore was Head of Sculpture at Chelsea School of Art from 1932-1939 and the school purchased his 1959 bronze sculpture ‘Two-Piece Reclining Figure no. 1′ in 1963. The piece can be seen at Chelsea College of Arts. Read more about the sculpture or visit the Henry Moore archive

Commenting on his appointment, Nigel said: “Having long regarded Henry Moore as a pivotal and enduring influence on the development of British sculpture, it is a particular privilege to be joining the Foundation at such an exciting time in its development. As the largest grant-making artist foundation outside the US, with established and growing venues in Hertfordshire and Leeds alongside prestigious international programmes, the Foundation is well placed to build upon its already considerable achievements.”

Richard Calvocoressi, Director of the Foundation, added: “The Foundation will benefit greatly from Nigel Carrington’s demonstrable enthusiasm for sculpture and knowledge of the arts sector, coupled with a wealth of business expertise. We are extremely grateful to Duncan Robinson who has led us through a period of transition, placing us in a very favourable position to realise future ambitions.”

 

LCC Postgraduate Shows 14 // Spotlight on PGDip Photography Portfolio Development

MGLpress1

‘Her Light, My Life’, Manuel Perez de Guzman Luengo, 2014.

In the third of our previews looking at the first Postgraduate Show of the year, we find out more about PGDip Photography Portfolio Development at LCC and share some of the exhibiting students’ work.

Postgraduate Diploma Photography Portfolio Development nurtures talented photographers working at the cutting edge of contemporary practice, helping them to develop a high quality portfolio and the professional skills to launch a successful photographic career.

MGLpress3

‘Her Light, My Life’, Manuel Perez de Guzman Luengo, 2014.

This year, Manuel Perez de Guzman Luengo presents ‘Her Light, My Life’, exploring the relationship between his late mother’s vernacular photography and his own through a series of diptychs.

This highly personal project sees Manuel attempting to learn more about his mother through the photography she left behind.

2

‘Untold’, Tomila Akhmadieva, 2014.

Tomila Akhmadieva’s ‘Untold’ is about physical human scars and the emotional narratives behind them.

Tomila explores the idea of a scar as something intimate, not shared with everyone, which carries with it a hidden story.

FLOWERS IN THE WINDOW smaller

‘Flowers in the Window’, Ray Chang, 2014.

In ‘Flowers in the Window’, Ray Chang develops ideas of loneliness and isolation, illustrating how flowers and everything they signify can give an emotional lift to those in need.

His mood-based work brings together the ideas of strangers, barriers, windows and London living.

2

‘Babushka’, Sofya Bredikhina, 2014.

Sofya Bredikhina’s project ‘Babushka’ is dedicated to one of the most serious problems in Russia – the inadequate living conditions of elderly people struggling to survive on government pensions.

Their faces are intended to provoke a strong emotional response and show inner strength, wisdom, loneliness and despair.

Much more equally thought-provoking work is on show here from Tuesday 25 November – we hope to see you soon!

School of Media: MA Documentary Film, MA Photography, PGDip Photography Portfolio Development
Exhibition open: Tuesday 25 November-Monday 1 December
Private View: Tuesday 25 November 6-9pm
RSVP to Private View
Late night opening: Thursday 27 November until 9pm

Read more about PGDip Photography Portfolio Development

 

The post LCC Postgraduate Shows 14 // Spotlight on PGDip Photography Portfolio Development appeared first on London College of Communication Blog.

Creative Industries Federation launches at UAL

granary-kings-cross

The creative economy is outperforming all other sectors of UK. From our world-class galleries to our cutting-edge fashion industry, creativity underscores Britain’s national identity. However, this hard-won success is under threat, from lack of investment in creative education, through to the lack of a coherent government arts policy.

Now, the creative industries are fighting back, with the creation of the world’s first united national creative industries federation. Spearheaded by University of the Arts London’s Chairman Sir John Sorrell and with UAL’s Vice-Chancellor Nigel Carrington as a founder members, the Creative Industries Federation is housed here at the University. We have been joined by over 200 partners and together we will fight to champion the arts, beginning with a launch event at Granary Square this evening.

Read more about the Creative Industries Federation

Call for Papers: Fast Forward: Women in Photography – Then and Now

Image ©Anna Fox from the series Back to the Village

Image ©Anna Fox from the series Back to the Village

Following a lively panel discussion about the role of Women Photographers, both historical and current, held at the TATE Modern in April 2014, we are now inviting papers and visual presentations for a conference to be held at the Tate Modern, London in the autumn of 2015.

The original panel brought together women from across the globe to explore and identify key themes and issues pertinent to women’s work in photography in the 21st century. The energetic debates and presentations were inspirational. Through these discussions key issues were identified, informing the development of work for women in photography, highlighting the need to ensure a place for women in the burgeoning histories of the medium.

The TATE Modern, The University for the Creative Arts, and UAL Photography and the Archive Research Centre (PARC) (at London College of Communication, UAL) are now organising a two-day conference, Fast Forward: Women in Photography – Then and Now, to be held at the TATE Modern on 6th & 7th November 2015.

This call for papers and artist’s presentations is looking for for submissions that explore the significance of women’s photographic practices both historical and contemporary, addressing key themes pertinent to current photography research and to celebrate the best work produced by women in photography.

Themes might include: new technologies, re-interpretation of archives and histories, vernacular and amateur photography, social and political impact of photography today, identity and sexuality, activist photography , collaborative practices, staging the real, culture of confession, histories of working concerning production and dissemination ie: collectives/co-ops, web dialogues, networking and social media. In the critical discourses emerging from practice and theory, related to these themes, it is vital today to consider the historical and contemporary place that the work of women in photography occupies.

Submission of papers as follows:

  • 19th January 2015 submit 500 word abstracts for anonymous peer-review
  • 16th March 2015 Successful applicants will be notified after this date.
  • 30th September 2015 Full Paper/presentation required.

Please email submissions to: FASTFORWARD@ucreatve.ac.uk
For any enquiries please email: FASTFORWARD@ucreatve.ac.uk

UAL in South Korea

The UAL delegation has arrived back in London after a hugely successful week in Seoul. The cross-college delegation visited South Korean design foundations, universities and government organisations with the aim of consolidating UAL links in the region, increasing our impact and creating further opportunities for our students and alumni to work collaboratively across the UK and Korean creative industries.

Vice-Chancellor Nigel Carrington addressed the Global Leaders’ Forum on design-led innovation and the role of the studio way of working. At a British Council event, Nigel also addressed 200 young people on the UK’s creative industries and the future of design. This was followed by a lively Q&A where a cross-college panel led by LCF’s Frances Corner took audience questions.

global-leaders-news

Nigel Carrington addresses the Global Leaders’ Forum on design-led innovation

During the trip, the Vice-Chancellor appeared in South Korean newspaper, television, digital and radio media, including interviews with the Korea Herald, tbs eFM, Newsis, JoongAng Daily, TV Chosun and Korea Times. Nigel spoke to the press about topics ranging from his thoughts on traditional Korean culture to the success of UAL’s Korean graduates, as well as highlighting exciting news such as UAL’s Fung Foundation scholarships programme and inviting students from Asia and Europe to undertake a placement at the University. Visits to partner universities Hongik, EWHA and SNU were very positive and UAL will now formalise plans for undergraduate exchange programmes across our core disciplines,  joint research projects and  potentially new curriculum developments.

and Juliette Sargeant from the International Relations Unit at EWHA Women's University, Seoul

LCF’s Frances Corner and Paul McNicoll with Juliette Sargeant from the International Relations Unit at EWHA Woman’s University, Seoul

80 alumni from across UAL’s Colleges joined the Vice-Chancellor and UAL colleagues at a drinks reception at the British Ambassador’s residence in Seoul. This exciting group, including many of Korea’s leading figures in the fashion, arts, media and design industries, were joined by the British Ambassador Mr Scott Wightman and members of the British Council. UAL now plans to launch a new wave of activity in Korea and build on these new relationships by formalising the Alumni Association with the aim of supporting our existing and future Korean alumni.

Alumni Reception, British Ambassador's residence, Seoul

Alumni Reception, British Embassy, Seoul