Archive for the ‘Exhibitions’ category

Mead Scholarships & Fellowships: 2014 winner Jason File plots subversive solo exhibition

Jason File 

A year on from his successful application to the Mead Scholarships & Fellowships programme, Chelsea College graduate Jason File in currently putting the final touches on his upcoming solo exhibition – An Ornament and a Safeguard.

The Mead Scholarships & Fellowships programme is one of the most prestigious  student and graduate support initiatives at UAL, and is made possible through the generous support of Scott Mead.

Mead Fellowships provide up to £10,000 for recent UAL graduates to allow them the time and flexibility to develop their creative practice after graduation. File has used the funding he received last year to conceive an exhibition that aims to show “as transparently as possible, the ‘total potential value’ of a monetary art prize to an early-career artist”.

Expending £4,999 of his £5,000 Mead Fellowship grant on legitimate exhibition costs, File will display the ephemera generated by this process in the form of a physical ‘balance sheet’, ranging from documentation of the cost to evidence of the value produced – including a published catalogue and the potential acquisition of the installation itself.

“Perhaps only in the art world can a £1 coin be legitimately offered for sale for £10,000” Jason File, 2014 Mead Fellow.

An Ornament and a Safeguard will take place 29 April – 6 June 2015 at The Ryder Project (19a Herald Street, London E2 6JT)

Finally, applications for this year’s Mead Scholarships & Fellowships are currently open and close on 1 May 2015, 5pm.

Find out more about Mead Scholarships & Fellowships, including how to apply.  

 

 

 

Jo Glover, Senior Graphic Designer at the V&A and LCC alumna, talks us through her designs for Alexander McQueen: Savage Beauty

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Savage Beauty Poster, Jo Glover, V&A, 2015.

The V&A’s record-breaking current exhibition, Alexander McQueen: Savage Beauty, is the first and largest retrospective of the late designer’s work to be presented in Europe.

LCC alumna Jo Glover, who graduated from BA (Hons) Graphic and Media Design in 2006, is Senior Graphic Designer at the V&A, and has been in charge of developing the design identity of the exhibition. Jo has been involved in every detail of the show from the selection of the lead image and designing the promotional campaign, to perfecting the details of the guides, leaflets and invitations.

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Savage Beauty, Jo Glover, V&A, 2015.

The exhibition will showcase McQueen’s visionary body of work. Spanning his 1992 MA graduate collection to his unfinished A/W 2010 collection, McQueen’s designs will be presented with the dramatic staging and sense of spectacle synonymous with his runway shows.

We caught up with Jo to find out more about her journey from LCC to the V&A.

So Jo, can you tell us a little bit about your role as senior graphic designer at the V&A? How did you get to this job, and what do you enjoy about it?

I got the job in 2011 after working at ad agency Wieden+Kennedy and doing my MA at the RCA. I also worked in branding for three years at Venturethree which helped with the more commercial work I do for marketing.

The job at the V&A combines the parts I loved from the advertising and branding jobs with my first job in the arts and cultural sector designing books for the likes of the RA. I love the variety of working on beautiful luxury print through to exhibition design and way finding. It never gets boring and is always a challenge.

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Savage Beauty, Jo Glover, V&A, 2015.

Can you explain your involvement in the Savage Beauty exhibition? What excited you about it and what you were nervous about?

I worked closely with marketing and press and the curatorial team to make sure we told the story of the exhibition through the print and digital campaign. I had to really fight for the very macabre savage image because it could be seen as intimidating but I think the lead image encapsulates the whole idea of both savage and beauty.

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Savage Beauty, Jo Glover, V&A, 2015.

So what was important to you in your approach to the designs for Savage Beauty?

In my approach to the savage beauty designs it was important to capture the slick high end luxury feel whilst retaining the darkness that comes through Lee McQueen’s work. We also really wanted to highlight the less known collections as well as the obvious ones. The events like the dinner are very high profile with a number of celebrity guests so we used lots of beautiful embossing, matte and gloss contrasts, and great paper.

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Savage Beauty, Jo Glover, V&A, 2015.

How would you describe your style and design sensibilities?

I’d say my style and design sensibilities are very pure, clean and quite classic but this obviously depends on the brief and market I’m working to. You have to be able to adapt and embrace styles that work with the audience or visitors you are targeting.

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Savage Beauty, Jo Glover, V&A, 2015.

How did LCC prepare you for life in the working world?

LCC prepared me so well for the working world because I did the industrial placement year where I got valuable experience from Elle magazine in London, the Chase in Manchester and Storm design in Melbourne, Block Branding in Perth and Principals branding and 2Birds design in Sydney. I also worked at Why Not Associates in London when I got back. This allows you to work out what you like and don’t like and also to travel and experience many different ways of working.

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Savage Beauty, Jo Glover, V&A, 2015.

Can you give one piece of advice for an aspiring graphic design student?

My one piece of advice would be to work hard, don’t be scared to make mistakes, and make lots of tea to get involved if you’re on a placement!

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Savage Beauty, Jo Glover, V&A, 2015.

Find out more about BA (Hons) Graphic and Media Design

Read Jo’s alumni profile

Find out more about Alexander McQueen: Savage Beauty and book tickets

The post Jo Glover, Senior Graphic Designer at the V&A and LCC alumna, talks us through her designs for Alexander McQueen: Savage Beauty appeared first on London College of Communication Blog.

LCC staff and students take shows to Derby’s FORMAT International Photography Festival

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AK-47 from ‘Vietnam Deprimed’, Lewis Bush, 2014.

Two photography shows curated by LCC staff will be exhibited at this year’s FORMAT International Photography Festival in Derby.

‘Media and Myth’ is curated by LCC alumni Lewis Bush (also a visiting practitioner) and Monica Alcazar-Duarte, with Paul Lowe, Course Leader for MA Photojournalism and Documentary Photography.

First staged in 2014 and part-funded by the LCC Graduate School, the exhibition brings together material produced during the College’s NAM project, which explored the role of the media in the Vietnam War.

Participating students took a diverse range of approaches to the topic. They examined the ways in which photography was used to record the conflict, looked at underground zines produced by US servicemen stationed in south-east Asia, and used a variety of media to present their ideas and research.

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Visitors at ‘Media and Myth’ in 2014. Image © Lewis Bush

Lewis tells us: “Though I think Monica and I already had some idea of the diversity of the work produced for the NAM project, we were still quite surprised at what we found when we started really looking.

“There were research projects exploring everything from graphic design and underground magazine production, to the legacy of post-traumatic stress and collections of soldiers’ own photography.

“We were both impressed by the level of commitment some of the students had shown to a research topic that was in some ways quite far removed from the focus of their course.”

‘Media and Myth’ also includes photographs drawn from the Stanley Kubrick Archive, housed at LCC, which proved to be a key resource for many of the participants in the NAM project.

On display are images produced during the making of the director’s 1985 Vietnam War film Full Metal Jacket, which reveal how Kubrick sought to dress and disguise the disused Becton Gasworks site in east London as the set of the battle-scarred Vietnamese city of Hue.

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A spread from ‘Voices of Dissent’, Amin Musa, 2014.

The curators say: “The Vietnam War might have passed into history, but its lessons and legacy remain plain to see in the conduct of modern wars and the way the media report them, and in the ways that these conflicts merge with popular culture and entertainment.”

Artists showing in ‘Media and Myth’ are: Jacob Balzani, Madeleine Corcoran, Cinzia D’Ambrosi, Julia Johnson, Veronika Lukasova, Steve Mepsted, Amin Musa, Linka A. Odom, Lewis Bush and Monica Alcazar-Duarte.

Also at the festival is ‘The Forensic Turn’, a group show curated by LCC’s Paul Lowe and featuring work by Simon Norfolk, Zijah Gafic, Edmund Clark, Ashley Gilbertson, and Fred Ramos.

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Image © Zijah Gafic

The exhibition considers the problems surrounding images of atrocity – often accused of aesthetising or exploiting suffering – and looks at work which depicts not the act of violence or the victim but the spaces and objects involved in such acts.

The artists included in the show focus on the traces of war and conflict rather than its direct effects on the human body, but still open up a space in which the viewer can engage with the situation.

Paul explains: “By exploiting the presence of absence in objects, they offer an alternative and powerful route to the documentation of violence.”

Both shows are open at 1 Corn Exchange, Derby, from Friday 13 March to Sunday 12 April 2015, with a Private View on Thursday 12 March, 7-9pm.

Read more about MA Photojournalism and Documentary Photography

Visit the FORMAT Festival website

Read more about the LCC Graduate School

The post LCC staff and students take shows to Derby’s FORMAT International Photography Festival appeared first on London College of Communication Blog.

LCC student Calvin Lok gets visitors talking at V&A

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Calvin’s final greeting sticker design. Image © Calvin Lok

Calvin Lok, a student on LCC’s BA (Hons) Spatial Design course, has described showing his work in the Victoria & Albert Museum’s ‘Disobedient Objects’ exhibition as “like a dream come true”.

First-year student Calvin got the chance to collaborate with the internationally renowned museum after receiving an email asking for submissions, and quickly made the decision to apply.

The museum was looking for thought-provoking contributions to their show, which explored  the history of protest, rebellion and revolution.

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Calvin’s work on show at the V&A. Image © Calvin Lok.

When his proposal was accepted, Calvin enlisted fellow student Celine Loh to help fine-tune his ideas. The pair researched ways to engage visitors in a conversation with their exhibit, and with each other.

An initial plan to hand out personalised placards to be carried around the show was rejected in favour of simple greeting stickers reading ‘Hello, I believe in…’, allowing people to complete the sentence in their own words.

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Calvin’s posters explored the ideas of revolution and change. Image © Calvin Lok.

Calvin also made mock-revolutionary posters and leaflets printed on newspaper for added authenticity, and used them to show infographics about the history of protest.

Calvin found that the project gave him vital first-hand experience of how people interact with an exhibition and each other in a gallery space.

Looking back on his achievement, he writes, “This is quite possibly the most amazing opportunity I have had in my life thus far”.

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Visitors enjoy completing the sentence on their stickers. Images © Calvin Lok.

Read Calvin’s blog posts about the show

Read more about BA (Hons) Spatial Design

The post LCC student Calvin Lok gets visitors talking at V&A appeared first on London College of Communication Blog.

Staging Disorder // Jennifer Good

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‘Staging Disorder’, Black Dog Publishing, co-edited by Christopher Stewart and Esther Teichmann.

LCC’s current showcase exhibition Staging Disorder runs until Thursday 12 March 2015, and the eponymous publication by Black Dog Publishing is co-edited by its curators Christopher Stewart and Esther Teichmann.

The book and exhibition feature photography that explores the ‘real’ in relation to depictions of modern conflict.

We interviewed contributing writer and LCC Senior Lecturer Jennifer Good to find out more.

Tell us a bit about your contribution to Staging Disorder.

When I looked at the work included in the exhibition I was immediately reminded of the writing of Sigmund Freud on ‘the Uncanny’, and also his ideas about how we ‘act out’ our fears in an unconscious, symptomatic way. What also came to mind was Gaston Bachelard’s book ‘The Poetics of Space’, in which he writes that the analysis of spaces can reveal a lot about our unconscious experience.

In my essay I tried to weave these three concepts together, thinking about the spaces of staged conflict as symptoms of deep social anxiety, externalised in uniquely three-dimensional form.

What particularly interests you about the subject of staged conflict?

For a long time I’ve been fascinated by the connection between architecture and the psyche – how spaces are inhabited by our minds as well as our bodies – and by the further complication that happens when photography enters these spaces and creates representations of them.

The places depicted in this exhibition are deeply evocative because of what we are invited to imagine happening in them. I find them troubling on all sorts of levels, because they can tell us a lot about who we are as a society.

What are you currently working on?

My book, ‘Photography and September 11th: Spectacle, Memory, Trauma’, is coming out on 26 March (Bloomsbury), and I’m about to start work on a new book project, ‘Understanding Photojournalism’, with my colleague Paul Lowe and Robert Hariman.

What do you think is the effect of holding an exhibition and book launch like Staging Disorder at LCC?

Esther and Christopher have done a fantastic job in bringing together the work of such internationally-renowned photographers and connecting it with newly commissioned sound works by members of UAL staff.

The exhibition and book both draw attention to different strands of research and arts practice that are already happening here. As well as raising the profile of the College, it’s great for our students too.

Is there any advice you would give our current students?

The time you spend at university is a time to take risks in your work, interrogate and push it from all angles, question every preconception and above all respond to what really makes you tick, instead of just doing what you think is expected of you.

Jennifer Good is Senior Lecturer, History & Theory of Photojournalism & Documentary Photography, London College of Communication.

Read more about Staging Disorder

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