Archive for the ‘Exhibitions’ category

Printmaking in Changing Contexts

Paul Coldwell: Symposium - Printmaking in Changing Contexts

Paul Coldwell, Material Things: Sculpture and Prints.

Symposium: Printmaking in Changing Contexts
30th April , 1- 3pm
Cartwright Hall, Bradford

In response to Paul Coldwell’s exhibition Material Things: Sculpture and Prints at Gallery II, University of Bradford (13th March – 7th May 2015) there will be an afternoon discussion about printmaking, past, present and future. Printmaking in changing contexts will be held at Cartwright Hall, Bradford on Thursday 30th April  (1 – 3pm).

The event will be chaired by Sonja Kielty (Curator, Exhibitions, Bradford Museums and Galleries) and Andy Abbott (artist and University of Bradford) and will include a presentation by Coldwell outlining his long association with printmaking and Bradford.

Further details: http://www.bradfordmuseums.org/venues/cartwrighthall/activities.php

Free event, all welcome.

Spaces will be limited, please RSVP: 01274 431212, cartwright.hall@bradford.gov.uk

A review of Material Things can be found on the following link:  CV: Material Things

The Department of Repair

Exhibition

Department of Repair: image by Bridget Harvey.

Bridget Harvey has co-curated a project at the Camberwell Space called The Department of Repair as part of her PhD research.  It is a two part project involving three weeks of workshops and exhibition, followed by three weeks of exhibition which will include the outcomes of the workshops.

The Department of Repair explores (re)making through fixing, repairing and mending. The project reframes the theme of ‘repair’, exploring its identities and its potential as an environmentally/socially engaged practice. The project aims to create space for broader interpretations of repairing, fixing and/or mending practice, exploring categories such as repair narratives, agents, materials, and methods/systems.

The project begins with an exhibition which showcases approaches to mending, guides and tools of repair. For the first three weeks, visiting (re)makers, (re)designers and repairers, who demonstrate and teach repair and re-making skills will run drop-in workshops. Outcomes from the workshops will be then added to the existing set of exhibits to form a larger exhibition.  A two-part publication will complement the project with writings by and about the repairers and exhibits involved in the project.

  • All workshops will take place at Camberwell Space as part of the exhibition.
  • All workshops are free and open to the public.

For further information:

The project reception will be held on  3rd February, starting with a talk by Daniel Charny at 4pm, followed by drinks in the space until 8pm.  Please RSVP to camberwellspace@camberwell.arts.ac.uk

The Creative Outlet Festive Pop-Up Shop

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Join us on Thursday 4 December, for one day only, at our festive pop up shop to meet the artists and designers featured in the current exhibition in the UAL Showroom ‘The Creative Outlet’. Buy work directly from the exhibitors alongside work from past UAL Showroom exhibitors and Made In Arts London artists on the day.

From jewellery to greeting cards, art prints to contemporary interior products – buy your unique seasonal gifts from UAL artists and designers, from as little as £2.50!

Drinks and mince pies from 5pm.

The Creative Outlet is open from the 20 October, in the UAL Showroom at High Holborn, and will run until 23 December. All works in the show are otherwise available to buy online.

Miriam Ribul tells us more about the TEXTILES TOOLBOX exhibition

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Miriam Ribul, DeNAture research samples, 2014

Miriam Ribul is an Associate Lecturer at UAL and has been part of the team of researchers from UAL involved with the MISTRA Future Fashion project funded by the Swedish Government’s Foundation for Strategic Environmental Research. Here she talks about the piece she is exhibiting in the TEXTILES TOOLBOX exhibition and how she juggles her time…

Tell us about the work you are including in Textile Toolbox: why did you chose this work and do you always collaborate with Hanna?

In January this year I lead a science-design research project in Sweden with funding from COST, the European Cooperation in Science and Technology, titled ‘Design Possibilities in Regenerated Cellulose Materials’. As a designer in residence at Chalmers University of Technology and SP Technical Research Institute of Sweden I had access to world-leading research in chemical recycling technologies for cellulose fibres. Dr Hanna de la Motte, a technical scientist and the project leader in project 5 in the MISTRA Future Fashion consortium titled ‘Reuse, Recycling and End of life issues’, hosted this project.

Hanna researches innovative methods for chemical recycling of materials including regenerated wood-based cellulose fibres. Through observation, interviews and lab tests I recognised the need for faster and more accurate identification of materials at the recycling stage and for the development of a system that embeds material information in the fibres without disrupting its properties. By applying design thinking in a technical laboratory environment I developed my project ‘DeNAture’ to aid cyclability of resources. The prototypes in the Textile Toolbox exhibition communicate the outcomes of the design residency.

Where do you mostly work/research, in your studio/at UAL or in the library (if a library, which is your favourite?)

The COST residency is an example for how, as a designer I work in different contexts: in this case the lab became my studio where I had access to materials and tools. The parallels of processes of a textiles designer and a technical scientist were significant. I discovered that the tools in a lab can be very advanced and specialist or improvised and DIY.

There is a similar approach to this in my design practice where I adopt tools from different disciplines depending on project. I have a studio space in East London as my home base for making and exploring materials. As Part Time Research Assistant and Associate Lecturer I am based at UAL, and being part of the team of the international MISTRA Future Fashion project I travel regularly to conferences, researchers meetings or workshops. I enjoy the library at CSM and Chelsea when I get the time to work there. This leads to a very varied range of workplaces.

What is it like to be part of TED and TFRC? How does it affect your work?

Being part of TED and TFRC I work with an inspiring cohort of researchers in a unique research environment that explores sustainability through different approaches. My practice is research-based and being embedded in the research culture at TED and TFRC since the start of the MISTRA Future Fashion project I am part of small to large research projects with varied deliverables and outcomes, as well as small to large industry engagements. This leads to exciting project outcomes that prove to have real impact. My work as part of the team as well as my individual practice is linked in my aim to develop sustainable systems that can be applied to different contexts.

How do you balance your work as Research Assistant and practitioner?

As a practitioner I explore the boundaries to which design can contribute and this approach feeds into my whole portfolio of work. I work as designer and researcher for independent projects or in consultancy engagements for a range of industry clients – my completed projects include concepts for future mobility and communication. I am also Associate Lecturer at UAL leading the ‘Sustainable Design’ unit at Chelsea to a cross-disciplinary student cohort from the courses Textiles Design, Interior and Spatial Design, and Graphic Design and Communication. In 201, I co-founded the design initiative Vectors and co-curated the exhibition ‘Design Beyond Making’ that launched at the Protein gallery. The initiative builds a platform to communicate new roles for designers beyond products.

Related links and further reading:

Apply for the next UAL Showroom exhibition

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We are welcoming proposals from University of the Arts London staff, students or alumni to hold a group exhibition within the UAL showroom, from 7 April – 3 July 2015.

The exhibition should showcase the work of either current students, recent graduates or established alumni in a way that promotes them and their practice (min 4 – max 30 exhibitors, that have not previously exhibited in the UAL Showroom) and raise the profile of UAL, through a public engaging exhibition.

To apply to be part of this exhibition please read through the exhibition criteria, and download the application form below:

Deadline for exhibition proposals: Wednesday26 November 2014 | 10am 

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