Archive for the ‘Exhibitions’ category

UAL Showroom: Want to sell your work in the lead up to Christmas?

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As a recent graduate, student or alumni are you making work and wanting to sell it directly to the public?Have you thought about doing this via pop up shops or exhibitions? If so, you may be interested in applying to exhibit in our next Creative Outlet exhibition in the UAL Showroom.

The Creative Outlet
Oct 2014 – Jan 2015
UAL Showroom, 272 High Holborn, WC1V 7EY

The Creative Outlet is an annual exhibition of original products and gift ideas designed and produced by UAL students & alumni. From exciting new jewellery to contemporary interior products, the public can buy direct through the exhibitors’ online shop or in person at our pop up event in December in the lead up to Christmas.

We want you!
We are therefore looking for creative work and products, spanning art, design and fashion that would make great Christmas gifts. SEE are welcoming all UAL students and graduates who have works that are available to buy through an online shop (whether your own, or another online platform) to apply for this FREE exhibition to be held in the UAL Showroom, 272 High Holborn, from October 2014 until January 2015. If you don’t already have your own shop you can apply to sell through the universities online platform Made in Arts London. The space is unmanned, so all exhibition signage will link back to your own website or online shop. We will also be running a pop up shop within the space in the lead up to Christmas, so you will also have the opportunity to sell directly to the public in this street facing, central London location. See information about past exhibitions in the Showroom HERE.

How to apply
Please download and complete the APPLICATION FORM and return to showroom@arts.ac.uk by 10am on Wednesday 27 August.

LCF BA14 alumni selected for Fashion Scout Graduate Showcase

Luke Bullen and Jana Dahmen, both BA (Hons) Fashion Design Technology: Womenswear (2014) Charlotte Knowles, BA (Hons) Fashion Design Technology: Womenswear (2014) Charlotte Knowles, BA (Hons) Fashion Design Technology: Womenswear (2014)

Recent LCF BA14 graduates, Charlotte KnowlesLuke Bullen and Jana Dahmen, all BA (Hons) Fashion Design Technology Womenswear, have been selected for the Fashion Scout Graduate Showcase.

The Graduate Showcase returns this September for its fourth year, announcing the ten best fashion design graduates from the UK, scouted from over 300 collections viewed in February and June’s graduate shows.

Fresh out of university, this is a wonderful opportunity for Luke and Jana – whose collection is a collaboration – and for Charlotte, with each of them having the chance to present a selection of three looks from their final collections at London Fashion Week. The Showcase allows press, buyer and industry members attending the event to meet the graduates and discover their creative vision first hand.

Charlotte, Jana and Luke’s success comes on top of three LCF MA alumnae being selected for Fashion Scout’s ‘Ones To Watch’.

  • Image credits – Right & Left: Roger Dean – Centre: Photography, James Rees; Direction, Rob Phillips.

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Mini Maker Faire interactive installation commission announced

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Paper Playscapes © Artemis Papageorgiou and Gabriella Mastrangelo, 2014.

The Elephant & Castle Mini Maker Faire is coming back to London this autumn, and the Digital Programmes team at the V&A recently launched an open call for the commission of an interactive installation to be exhibited as part of the Faire at London College of Communication.

The judging panel, including LCC’s Ben Stopher, have now announced that Paper Playscapes, a project by Artemis Papageorgiou and Gabriella Mastrangelo, will be commissioned from this open call.

Paper Playscapes is an open-ended installation, made and interacted with collaboratively by designers and visitors, representing a landscape in movement.

Visitors will be invited to join in assembling and creating the structure – then they can play!

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Sketches for Paper Playscapes © Artemis Papageorgiou and Gabriella Mastrangelo, 2014.

The modules that make up the piece are made out of corrugated cardboard, a sustainable cost-effective material that is easily assembled. Even though modules originate from pre-cut printed surfaces, and are therefore identical before assemblage, they are differentiated through folding and circuit-drawing.

Each cardboard module is designed to react to proximity and contact by emitting light through a series of LEDs placed on its surface. Little circuits inside the modules give them this interactive quality.

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Artemis Papageorgiou and Gabriella Mastrangelo, 2014.

The modules then become props in a game that is a variation on musical chairs. The final outcome is a landscape in the making, a participatory space for coming together for a few moments, in order to learn, make and play.

Come along and try out Paper Playscapes for yourself at the Elephant and Castle Mini Maker Faire on Saturday 15 November 2014 at LCC!

More info on the V&A blog

Visit LCC’s Mini Maker Faire page

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Where art and science converge: Exposing malaria through costume for performance

LCF News caught up with 2014 graduate, Katie-May Boyd, BA (Hons) Costume for Performance, after discovering her intriguing costumes at the BA14 Performance Exhibition. If you are looking for art that explores scientific fact in an intriguing way, her costumes are it.

LCF News: Tells us about your final project – what did you set out to achieve?

Katie: The project illustrates the microscopic relationship between Malaria and its Human host in two costumes that focus on different stages in the life cycle of the disease. The costumes and performance aim to teach about malaria in an alternative way and also to highlight the cross fertilisation between Art and Science.

LCF News: And we hear that you really have taken the work into the scientific realm; speaking at the Wellcome Trust?

KMB: Yes, I took my work to the yearly conference of the ‘Wellcome Trust Centre of Molecular Parasitology’ (WTCMP) whose scientists I had collaborated with during the project. This was a really interesting experience for me as I presented my work to 80 parasitologists who had a completely different stand point from anyone else I had shown the project to. Their feedback was really helpful and a few people were keen to collaborate on different parasites as well!

LCF News: What inspires you about the work you do?

KMB: I love creating things, I think the moment a 2D pattern transforms into a 3D object on the body is just sublime. Working with science and art, the thing that I get most out of it is translating something that is very factual and theoretical into a tangible and visual piece that changes the way you understand a thing.

Looking at Katie’s work, you can certainly see how a complex scientific story is brought to life with vivid visual detail. Her costumes take the viewer from the initial stages of the virus to the moment when it overcomes the host’s body.

Katie-May Boyd, BA (Hons) Costume for Performance - 'Rupture of the Liver Cells' Katie-May Boyd, BA (Hons) Costume for Performance - 'Merozoites in the Bloodstream' Katie-May Boyd, BA (Hons) Costume for Performance - 'Gametocytogenisis'

With such a unique take on costume, art and science, we wondered why Katie was drawn to study BA (Hons) Costume for Performance and whether the course resonated with her experimental take on things. Katie told us:

I was drawn to the course because of the prestige of the college and once I found out more about it I thought it was much better than the courses offered by different universities because it seemed to be a lot more creative and open – more cutting edge and experimental as opposed to some that were a lot more traditional and theatre based.

Katie has since found herself interviewed by Scottish TV and has already taken internships with Alice Temperley, Madame Tussauds and the Royal Opera House. We’ll be intrigued to see where her insightful mixture of art and science turns up next.

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Events // London Design Festival selects LCC’s ’160′ for 2014 programme

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Work by Alan Kitching and Monotype

On Thursday 18 September, London College of Communication will hold ’160′ (#lcc160); a shared Private View consisting of a trio of design retrospectives as part of the London Design Festival 2014.

The College will celebrate 50 years of illustration, 100 years of graphic design and 10 years of button badges.

Speaking about the exhibition, Professor Lawrence Zeegen explained:

“’160′ at London College of Communication celebrates the work of numerous influential designers and illustrators across the past 100 years. Reflecting the disciplines of graphic design, typography and illustration, all taught and researched within LCC’s School of Design, this trio of exhibitions has been curated to inspire and inform today’s and tomorrow’s generations of design creatives.

“Launched during the London Design Festival 2014, ’160′ aims to highlight the invaluable connectivity between design industry and design education, many of the exhibitors across all three exhibitions having studied or taught at London College of Communication.”

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’50 Years of Illustration’ is published by Laurence King Publishing

‘50 Years of Illustration’ accompanies the launch of a new book of the same title by Professor Lawrence Zeegen, Dean of the School of Design. The show charts the rich history of contemporary illustration, from the rampant idealism of the 1960s to the digital explosion of the 1990s as well as the increasing diversification taking place in the twenty-first century.

Five giants of graphic design are commemorated in‘Alan Kitching and Monotype: Celebrating the centenary of five pioneers of the poster’. This year marks the 100th anniversary of the birth of Tom Eckersley, Abram Games, FHK Henrion, Josef Müller-Brockmann and Paul Rand, all of whom were well-known for creating iconic and memorable posters.

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Alan Kitching at work in his studio

Alan Kitching has partnered with Monotype to create a unique series of prints paying tribute to these design heavyweights. Exhibited alongside Alan’s work will be posters designed by Eckersley, Games, Henrion, Müller-Brockmann and Rand.

LCC is also celebrating ten years of London-based graphic art label and online boutique Stereohype, sister company of design studio FL@33, and their popular button badge collection.

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Part of Stereohype’s button badge collection

‘Stereohype 2004-2014′ also marks the fact that the collection, created by over 300 contributors, will reach its 1,000th button badge this September.

Private View: Thursday 18 September 6-9pm

50 Years of Illustration: Saturday 13 September – Friday 31 October
Alan Kitching and Monotype: Saturday 13 September – Thursday 16 October
Stereohype 2004-2014: Saturday 13 September – Friday 31 October

Monday – Friday 10am-5pm
Saturday 11am-4pm, closed Sunday

#lcc160

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LCC students show work from collaboration with London Sinfonietta Orchestra

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Hildegard Titus, 2014.

Last month saw the final exhibition of work by four London College of Communication BA (Hons) Photojournalism & Documentary Photography students, who have been documenting the life of the London Sinfonietta Orchestra, in rehearsal, in performance and backstage.

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Hildegard Titus, 2014.

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Hildegard Titus, 2014.

The London Sinfonietta is one of the world’s leading contemporary music ensembles with a reputation built on amazing performances and ambitious programming. It is committed to placing new music at the heart of contemporary culture and continually pushing boundaries, regularly undertaking projects with choreographers, video artists, film-makers, electronica artists, jazz and folk musicians. The ensemble is Resident Orchestra at Southbank Centre with its headquarters at Kings Place.

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Hildegard Titus, 2014.

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Hildegard Titus, 2014.

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Hildegard Titus, 2014.

Abdi Ibrahim, Claudia Vye, Hildegard Titus and Maja Smiejkowska were offered the chance when Briony Campbell – herself an LCC MA Photojournalism & Documentary Photography alumni – came to their class to speak to students about some of her work and look at portfolios – after which she chose four lucky photographers to work on the project with her.

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Hildegard Titus, 2014.

Read more about BA (Hons) Photojournalism and Documentary Photography 

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Fashion Textiles Graduate sells unique designs at Secret Garden Party Festival

Nicole Parkauskas, BA (Hons) Fashion Textiles

Nicole Parkauskas, BA (Hons) Fashion Textiles

BA (Hons) Fashion Textiles graduate, Nicole Paskauskas, has won a £500 scholarship to bring her unique jewellery pieces to the Secret Garden Party Festival. We caught up with the new graduate, whose work was seen on the LCFBA14 Runway, to find out what festival goers can discover on her stall…

LCF News: So how did this all come about?

Nicole Paskauskas: I’ve been going to Secret Garden Party Festival for about 4 or 5 years now so being a massive fan of the secret emporium tent I always wanted to get involved with them. The festival were offering scholarship places for stalls worth £500 and since the tickets were completely sold out I thought, now is the perfect time to apply!

LCF: And what will you be selling at the festival?

NP: My jewellery has come about through a natural progression – I sold it at LCF’s College Shop, and it was also featured on the BA14 Runway. It’s jewellery made using the same braiding techniques that I developed during my final year at LCF. Selling it on stalls was just the next step towards starting to develop my brand.

For the stall I’ve recycled off cuts of old furniture and scraps of wood and painted them white to build a sculpture that I can hang my braided jewellery from. I had no money to spend on proper stands so it really forced me to put some thought into it!

LCF: We also hear that you’re involved in the In the Woods Festival?

NP: In The Woods Festival is going to be quite an experiment! I have been invited to collaborate with a sculptor in building the main stage so I am excited to apply my work in a totally different way to fashion or jewellery. This festival is also sold out and will be held in Kent at the end of August. I’m also really excited to see who will be performing at the festival as it’s a secret!

LCF: What’s next?

NP: I am currently working on developing wearable jewellery and have been overwhelmed by the response from the press since my final collection of headpieces and body jewellery in June. In September I hope to be developing a second collection of pieces for my brand so stay tuned!

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LCC students’ projects selected by Intel for Digital Summer Trip 2014

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Visiting pupils interact with the ‘Musical Crosswalk’ project

Two projects by MDes Service Design Innovation and MA Interaction Design Communication students were recently selected by Intel to be exhibited in their tent at Digital Summer Trip 2014.

The projects resulted from a three-week exploratory design project between LCC students and technology giants Intel, focused on new opportunities to adopt and seamlessly integrate environmental sensors into daily life.

The students worked with sensors monitoring noise, light, proximity and air quality, developing prototypes and service scenarios for future applications.

They began with the following questions:

  • How can citizens be empowered to change their daily practices and to engage with the environment in new and different ways?
  • How can a non-professional public become empowered to generate knowledge about their environmental conditions?
  • How can Internet of Things (IoT) objects be configured and designed to repair a broken world?
  • What opportunities are there through IoT devices to develop cultural exchanges by gathering information from different regions and countries relating to community/environmental challenges?

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Above: LCC students demonstrate their work at Digital Summer Trip 2014

Finished projects ‘EcoFurby’ and ‘Musical Crosswalk’ were chosen as they fitted well with the playful nature of Intel’s other exhibits at the Digital Summer Trip technology show, which took place from 3-5 July at east London’s Tech City.

The event was aimed at educators and secondary school students, and the video below shows pupils interacting with ‘Musical Crosswalk’, designed to encourage pedestrians, and particularly young people, to cross the road safely:

Read about MDes Service Design Innovation

Read about MA Interaction Design Communication

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POSTGRADCHAT with Vyara Zlatilova

To celebrate Camberwell College of Arts Postgraduate Summer Show 2014 this week until the 23rd July, we’ve met with students and graduates to talk about their work and future plans.

MA Illustration Vyara Zlatilova designs and illustrates thought-provoking Mother’s Day cards with an anti-abuse message

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CCA: What has your experience at Camberwell been like?

Quite inspiring, I met so many amazing people. What’s most interesting is that each of my classmates has their own unique way of working and approaching a project.

CCA: What did you find was the most valuable technical skill you have learnt whilst studying at the college?

First of all, I developed my digital skills quite a lot during the past year. Basically, before the course, digital illustration was one of my main weaknesses, but since it is a really important part of the industry, I intentionally forced myself into improve in that direction. In doing so, I am really happy that I got a lot of support from my tutors, who encouraged me to push myself and develop my potential further.

Also, until recently, I wasn’t comfortable with using colour at all. My work before the course was mainly monochrome and I was terrified by the idea of mixing colour, because I simply couldn’t understand how it works. So, I am really amazed by how fast I managed to improve in this particular aspect of my work as well.

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CCA: Please tell us about your degree show work?

Since I have a graphic design background, I decided to design and illustrate an advertising campaign against child abuse. Thus, my degree show work is a collection of Mother’s Day greeting cards, which, through provocative abuse related messages, are raising questions regarding the issue of abuse within the family.

I am really interested in the idea of changing the meaning of an image by adding text and subverting the message it communicates to the viewer. For me it was important to attract the audience to the project instead of repelling it by using disturbing images. Therefore, the artworks I produced are aiming to be as visually appealing as possible and to communicate the idea metaphorically rather than directly.

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CCA: What are your plans after you graduate?

I am currently planning to go back to graphic design and hopefully pursue a graphic design/branding career. However, I would definitely try to develop my illustration style further because, in my opinion, the experience I now have as an illustrator gives me a new perspective into graphic design and could play a valuable role in my further development as a creative professional.

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CCA: Any advice for future MA students?

Collaborate and apply for as many competitions, awards and contests as you can. One year is a really short period of time and sometimes it’s hard to balance university projects with outside-college activities, but, if you manage to do it, it can change your way of working drastically, so push yourselves to the limit and if you’re organized and motivated enough you’ll improve really fast.

More about Vyara @ https://www.behance.net/vzlatilova

Instagram  and on Twitter @VyaraZ

Research // William Raban’s ‘Beating the Bridges: Richmond to Dartford’ at Museum of London Docklands exhibition

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Still from ‘Beating the Bridges: Richmond to Dartford’ by William Raban. 11’ 15”, 16mm/video, colour, 1998.

‘Beating the Bridges: Richmond to Dartford’ by filmmaker and LCC Professor of Film William Raban is showing in a film installation as part of the Museum of London Docklands’ current ‘Bridge’ exhibition.

The free exhibition, which draws on the museum’s art collections to consider the significance of bridges within the London landscape, is open now until Sunday 2 November.

As well as exploring how London’s bridges allow people to experience the city, the show looks ahead to projects such as Thomas Heatherwick’s ambitious ‘Garden Bridge’ proposal, playing with the ideas of destination and crossing and tackling the key debates surrounding London and its bridges.

William’s 1998 film follows the Thames from the wealthy suburbs of west London, past the familiar landmarks of Chelsea, Westminster and the City, to the industrial flatlands beyond Dartford Bridge.

The 30 bridges spanning this stretch of the river provide acoustic spaces filled on the film’s soundtrack by ambient reverb and a live percussion score.

‘Beating the Bridges’ is presented in its own screening room within the gallery and will show continuously every day.

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‘Beating the Bridges: Richmond to Dartford’ installed at Museum of London Docklands

Read more about Research at London College of Communication.

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