Archive for the ‘London College of Communication’ category

Staging Disorder // Angus Carlyle

Angus Carlyle - entrance

The Cave Mouth and The Giant Voice in LCC’s Well Gallery. Image © Lewis Bush.

Our photography and sound arts exhibition Staging Disorder is open until Thursday 12 March, and explores ideas of the ‘real’ in relation to modern conflict.

We asked exhibiting sound artist and Co-Director of CRiSAP (Creative Research into Sound Arts Practice) Angus Carlyle to tell us more about his work.

Can you tell us a bit about your contribution to Staging Disorder?

The Cave Mouth and The Giant Voice is a collaboration between myself and the anthropologist Rupert Cox. Installed in a dark space beneath the bridge across the Well Gallery, the work centres on a cave under the town of Sunabe, on the island of Okinawa.

It was here that Yogi-San sheltered from the US naval bombardment and it was here where he took us to tell his story.

That story is relayed in projected subtitles and by a composition of environmental sounds that connects the cave and Yogi’s memories of its past to the present day and the audible American military presence.

What drew you to tackle the subject of staged conflict?

In a sense, The Cave Mouth is a sketch for a sequel to our previous project called Air Pressure.

Air Pressure focused on an organic small-holding that is now almost engulfed by the architecture of Narita Airport near Tokyo but remains home to the last farming family of the many who settled in the area in the aftermath of WWII and created rich arable land out of what once was forest.

Among other things, Rupert and I are interested in how lives can be lived in intense environmental circumstances, how the present might be connected to the past and how sound can make these complex realities audible.

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Image © Lewis Bush.

What responses have you received to the work you are showing?

Among the various words I’ve heard used to describe The Cave Mouth have been “heavy”, “disturbing”, “harsh”, “delicate”, “meditative” and, dismayingly, “interesting”.

Quite a number of people have commented on how the work recreates the atmosphere of the dripping cave and our walk across the lagoon with some night fishermen.

Others have talked about the pace and rhythm of the subtitles or have spoken of how the sounds within the installation blur and blend with the noises bleeding in from outside.

What are you currently working on outside the College?

Rupert is currently writing a book for Bloomsbury Press – The Sound of the Sky Being Torn – which is an historical ethnography of military aircraft noise.

I am completing various parts of a long-term project based on the Picentini mountain range in Southern Italy, with an album of environmental sound recordings and several texts to be published in the summer.

Over the next two years we will both be collaborating on a new soundfilm that explores more of the island of Okinawa, working with the acoustic scientist Kozo Hiramatsu and the media artist Atsushi Nishimura.

What do you think is the effect of holding an exhibition like this at LCC?

We are very lucky at LCC to have such a vibrant and active programme of exhibitions. Even outside the degree show season there is always work to listen to and to see; and this is not just in the main gallery spaces but also in PARC, in the library and in the screenings organised by the Documentary Research Forum.

Having said that, the very scale of Staging Disorder, how it has been curated and designed, how it shifts between different media, and how it inhabits the College, makes it a particularly powerful presence. I hope it inspires and provokes.

What advice would you give to current LCC students?

I find it difficult to answer your question. The phrases that are on the tip of my tongue are things our students already know well in their hearts and demonstrate in their practice.

Can I wriggle out of a direct response by offering a quotation from the artist Robert Irwin that the LCC alumnus Dan Holdsworth recently sent me? Irwin, a visual artist whose later work involves interventions that alter the perception of space, recommended that:

“For the next week, try the best you can to pay attention to sounds. You will start hearing all these sounds coming in. Once you let them in, you’ve already done the first and most critical thing, you’ve honoured that information by including it. And by doing that, you’ve actually changed the world.”

Visit Angus Carlyle’s website

Read more about CRiSAP

Learn more about Staging Disorder

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Monica Alcazar-Duarte graduation photobook acquired for international collections

©Monica Alcazar-Duarte

Monica’s handmade photobook. Image © Monica Alcazar-Duarte

MA Photojournalism and Documentary Photography (Online) alumna Monica Alcazar-Duarte has received exciting news about her graduation collection, ‘Your Photographs Could Be Used By Drug Dealers’.

Monica’s photobook depicting life in two neighbouring towns on the Pacific coast of Mexico has been acquired for the book collections of MoMA (Museum of Modern Art) in New York, Yale University Art Gallery and the Joan Flasch Artists’ Book Collection at the Art Institute of Chicago.

©Monica Alcazar-Duarte

Monica’s handmade photobook. Image © Monica Alcazar-Duarte

During the past couple of weeks, Monica has been preparing by hand the copies that will be posted, and told us: “I still can’t believe where these copies are going!”

Speaking about the news, she said:

“I am quite overwhelmed at the idea that my work has been selected for collections in three of the world’s most prestigious arts and academic institutions.

“This is a real boost for my confidence as a photographer who is exploring alternative presentation means for my work. I will now be able to pursue ‘Forerunners’, my current project, with renewed energy and conviction.

“I owe a debt of thanks to Kaleid Editions who have represented me in the United States and in Europe and found these new collectors for my book. UAL’s own Made in Arts London have also been terrific advocates for my book here in London”.

London College of Communication

8.45 p.m. Ixtapa. Image © Monica Alcazar-Duarte.

London College of Communication

4.15 p.m. Sunday. Ixtapa. Image © Monica Alcazar-Duarte

London College of Communication

7.40 p.m. Ixtapa. Image © Monica Alcazar-Duarte

Read more about MA Photojournalism and Documentary Photography

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Monica Alcazar-Duarte graduation photobook acquired for international collections

©Monica Alcazar-Duarte

Monica’s handmade photobook. Image © Monica Alcazar-Duarte

MA Photojournalism and Documentary Photography (Online) alumna Monica Alcazar-Duarte has received exciting news about her graduation collection, ‘Your Photographs Could Be Used By Drug Dealers’.

Monica’s photobook depicting life in two neighbouring towns on the Pacific coast of Mexico has been acquired for the book collections of MoMA (Museum of Modern Art) in New York, Yale University Art Gallery and the Joan Flasch Artists’ Book Collection at the Art Institute of Chicago.

©Monica Alcazar-Duarte

Monica’s handmade photobook. Image © Monica Alcazar-Duarte

During the past couple of weeks, Monica has been preparing by hand the copies that will be posted, and told us: “I still can’t believe where these copies are going!”

Speaking about the news, she said:

“I am quite overwhelmed at the idea that my work has been selected for collections in three of the world’s most prestigious arts and academic institutions.

“This is a real boost for my confidence as a photographer who is exploring alternative presentation means for my work. I will now be able to pursue ‘Forerunners’, my current project, with renewed energy and conviction.

“I owe a debt of thanks to Kaleid Editions who have represented me in the United States and in Europe and found these new collectors for my book. UAL’s own Made in Arts London have also been terrific advocates for my book here in London”.

London College of Communication

8.45 p.m. Ixtapa. Image © Monica Alcazar-Duarte.

London College of Communication

4.15 p.m. Sunday. Ixtapa. Image © Monica Alcazar-Duarte

London College of Communication

7.40 p.m. Ixtapa. Image © Monica Alcazar-Duarte

Read more about MA Photojournalism and Documentary Photography

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Green Week Review // Environmental Photojournalism

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COLNE VALLEY, LONDON, ENGLAND – 16 FEBRUARY 2013: An abandoned portacabin on the edge of New Year’s Green Covert, one of the many woodlands threatened by HS2 construction. Image © Toby Smith.

As part of Green Week 2015: Natural Capital last month, photographer Toby Smith visited the College to talk about his career and current projects. BA (Hons) Journalism student Sebastian Moss reports.

LCC MA Contemporary Photography alumnus Toby Smith shared his experience of working in environmental photography since graduating in 2008.

His work has been exhibited internationally and has been featured in publications such as National Geographic, The Sunday Times Magazine, The New York Times, and the Guardian.

One of his biggest projects involved walking along the route of the controversial proposed HS2 railway, following the route from London to Birmingham and photographing people, buildings and landscapes along the way over a course of several months. ‘Walk the Line’ was published by The Sunday Times, and is viewable here.

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MAIDA VALE, LONDON, ENGLAND – 02 FEBRUARY 2013: Terry Harris, owner of a garage specialising in V8 engines and classic car restorations, is preparing to have its property forcibly purchased by the HS2 line. Image © Toby Smith.

“This project I found the most enjoyable of the last few years, because it involved a bag of film and starting less than four miles from my house. It was a local issue to me, and that’s also something that’s really under-covered in journalism. You don’t need to fly to Timbuktu to shoot a great story, there can be quite poetic ones nearby.”

But while Toby has been successful in the field, it’s not an easy career to be involved in. “It’s really quite nasty out there, I’m afraid,” he told students currently studying photojournalism at LCC.

“I would really encourage you to learn what you can about the industry and try and get in it. But I would also really just do the photography that you want to do, and then see how it fits into the industry as well. Think outside the box.”

When we asked about any further advice for students, he added that “the biggest advice I’d have is just to know your subject matter and know your marketplace. Just do research.”

“I’ve become really savvy in subjects, and also where they’re published and how they’re published and what’s popular, to kind of second guess and predict it. That only came with experience, so there’s nothing to say you couldn’t do it with time.”

But most of all, it’s important for photojournalists to mix commercial, artistic and journalistic work. “I still refer to myself as having a three-way mix of a commercial approach, a contemplative approach, and journalism. I don’t think I could survive without doing all three at the same time, and I would never want to lose any of those approaches.”

Toby Smith is currently working on several new projects, including the second part of his HS2 feature and coverage of the burgeoning private space industry.

Words by Sebastian Moss.

Read more about BA (Hons) Photojournalism and Documentary Photography

Read more about MA Photojournalism and Documentary Photography

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Ladybird looks to the future of design with LCC

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Some of Ladybird’s most enduring children’s books. Image © Lewis Bush

Students from London College of Communication have joined forces with iconic publisher Ladybird Books in a collaboration that will reimagine the brand in today’s world, as part of its centenary celebrations.

The six-month long project – culminating in an exhibition during London Design Festival – will see students present their concepts to Ladybird with the potential to move their designs into production with chosen retail partners.

“This is an exciting chance for our students to interpret and compare important visual representations from the past with the cultural and societal concerns of today. Not only does this project with Ladybird give our students a glimpse into a world of visual beauty, the Ladybird archive has stirred us to look at and debate the world around us,” said Paul Bowman, Course Leader, BA (Hons) Illustration and Visual Media.

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Ladybird’s book illustrations are instantly recognisable. Image © Lewis Bush

The creative heritage represented by Ladybird’s much-loved books is at the apex of the collaboration. Students are challenged to produce a forward-looking item – inspired by an optimistic age – that positions the brand in today’s landscape.

Speaking about the project, Damian Treece, Brand Manager at Penguin Ventures, said:

“Establishing a relationship with London College of Communication during Ladybird’s centenary year was a high priority for Penguin Ventures. We wanted to partner creativity and innovation with a real commercial opportunity for students.

“We have been blown away by their enthusiasm for vintage Ladybird and we very much look forward to seeing final designs.”

Currently in the research and experimentation phase, students will present their concepts to Ladybird in late March before the winners are announced after the Easter break.

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Ladybird representatives brought a selection of the brand’s vintage illustrations to a briefing for LCC students. Image © Lewis Bush.

Read more about LCC’s Ladybird project

Visit the Vintage Ladybird website

 

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BA (Hons) Advertising graduates give employment tips to current students

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BA (Hons) Advertising student and recent Clubhouse intern Sharin Johal.

The BA (Hons) Advertising ethos at LCC means providing the advertising industry with the cutting-edge innovators of the future.

BA (Hons) Advertising Alumni Employability Talks and Workshops invite recent graduates to give lectures and employment advice to third-year students as part of their Content Creation unit.

BA (Hons) Advertising has an excellent employability record with the 2014 crop of recent graduates being no exception. Many are already in excellent jobs having graduated only eight months ago.

Laura Fontes and Nicolas Bruck, who graduated in 2014, are Creative Directors at Clubhouse, an offshoot of Mother ad agency, and gave one of the recent talks.

The success doesn’t stop there as they have so far already employed one of the course’s current third-year students, Sharin Johal, on a two-week internship.

Sharin got to shoot 15 campaigns for the advertising agency. Speaking about her internship experience, she said:

“My time at Clubhouse Studios was incredible. Nic Bruck and Laura Fontes, graduates from the previous year of BA (Hons) Advertising, gave me this amazing opportunity.

“I can’t thank them enough as they allowed me to use my creativity and photograph the digital campaigns for Ben & Jerry’s UK & Northern Europe. I loved every bit!”

Other recent alumni to give talks are Jacob Gardner, Producer at Independent Films and Gaelle De Gasquet, Account Manager at UM International.

LCC alumnus George Slokoski graduated from the course in 2012, so we asked him how the College led to his current role as a media data analyst at DTV, an agency that specialises in TV advertising for the third sector.

“I think LCC and UAL definitely carry weight on an application. I know for a fact that there are people from the industry scouting for talent at Uni and this was a few years ago.

“I know the course has come a long way so I have no doubt the links with the industry have gotten even stronger as more and more of us graduate and go on to become excellent professionals.

“My housemate, who was on the same course and works at one of the bigger integrated agencies in London, told me someone even brought LCC magazine Artefact into the office recently!”

Read more about BA (Hons) Advertising

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BA (Hons) Media Communications student wins Dare digital agency writing competition

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Elin Schonfelder, BA (Hons) Media Communications.

Elin Schonfelder, a first-year BA (Hons) Media Communications student, has just won a writing competition run by Dare digital agency and has been offered a two-week work experience with the company.

Dare is a digital agency that specialises in creating digitally connected customer experiences. By exploring the potential of the internet and creativity, Dare help to transform businesses by providing a superlative experience suited to today’s demanding customers.

The competition was part of a wider initiative by Dare to explore trends in social media usage among current BA (Hons) Media Communications students at LCC. The agency wanted to gather fresh insight around what social media platforms students are using, what they use them for and why, and the different functions that each platform offers to suit individual lifestyles.

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Elin Schonfelder, BA (Hons) Media Communications.

Students were asked to write a 1,000-1,200 word piece discussing the role and importance of social media in their everyday life.

Articles were written in a blog-like style drawing upon the student’s personal experiences and experiences from their interactions with their peers. Discussions spanned several platforms, and explored ideas of relevance, usability and the future of media communications.

Elin explains, “I was delighted to win the competition. As a BA (Hons) Media Communications student I am really interested in developing social technologies, so having the chance to write for Dare’s blog was really exciting. Social media has had a huge impact on the behaviours of my generation, and I was excited to explore this in a little more depth in my piece of writing.

“I’m really excited to start my placement at Dare because, as a first year student, getting some experience of working in industry will give me a sense of where my studies could lead me.”

All submissions were read by the Dare team and Elin’s entry won! Her winning article will shortly be published on Dare’s blog and Elin will start her two-week work placement with Dare in the summer.

Read more about BA (Hons) Media Communications

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LCC students uncover Secrets and Lies at Dalston’s Doomed Gallery

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Students and guests attend the Private View at Doomed Gallery. Image by exhibiting student Lilian von Keller.

Third-year students on LCC’s BA (Hons) Media and Cultural Studies course recently gained invaluable industry experience by organising an off-site exhibition of their work at London’s Doomed Gallery.

‘Secrets and Lies’ explored the idea of individuality from both a creative and theoretical perspective, with the work on show often highly personal and covering subjects as diverse as religion, sexuality and architecture.

Students worked in teams to arrange different aspects of the exhibition, learning about the challenges of events organisation in the process.

Doomed Gallery in Dalston supports both emerging and established artists, with an emphasis on photography. The exhibition space has hosted work by over 300 photographers since opening its doors in 2011.

For the LCC show, Latisha Berker-Boyd exhibited a collection of naked selfies, some found via Facebook, entitled ‘The Theory of Nude’, inspired by the digital era and current trends in self-expression.

Gizem Kaya’s work explored cliches created by the media about Muslim women, with Gizem juxtaposing portraits of her subject, in which she gazes back at those who have placed her under scrutiny, with the woman’s framed wedding vows.

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Students prepare work for their show. Image by exhibiting student Lilian von Keller.

Heidi Agyapong’s ‘Strangers’ featured 28 Londoners photographed using Polaroids, together with a single word the subjects chose to describe their character. Heidi wanted to challenge London’s anonymity by creating a sense of closeness with people we would not otherwise get to know.

‘Vertical Landscapes’ by Lilian von Keller was a surrealist work highlighting the unexplored spaces created by urban architecture, and imagined a vertical walk up the side of a skyscraper.

Video piece ‘Secrets of our Journey’ by Maria-Louisa Harrison used the metaphor of a train journey to address the journey of life and death, with Maria-Louisa’s voiceover playing over continuous footage of train tracks.

Isabel Fernando’s ‘Space’ examined the use of space within the home and its relationship to particular family members, looking at private, domestic areas to ask how space can represent and define personal identity.

You can learn more about ‘Secrets and Lies’ in this feature for Next Up, an online news and culture magazine created by LCC BA (Hons) Journalism students James Childs and Diana Tleuliyeva.

Read more about BA (Hons) Media and Cultural Studies

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LCC students uncover Secrets and Lies at Dalston’s Doomed Gallery

exhibition PV

Students and guests attend the Private View at Doomed Gallery. Image by exhibiting student Lilian von Keller.

Third-year students on LCC’s BA (Hons) Media and Cultural Studies course recently gained invaluable industry experience by organising an off-site exhibition of their work at London’s Doomed Gallery.

‘Secrets and Lies’ explored the idea of individuality from both a creative and theoretical perspective, with the work on show often highly personal and covering subjects as diverse as religion, sexuality and architecture.

Students worked in teams to arrange different aspects of the exhibition, learning about the challenges of events organisation in the process.

Doomed Gallery in Dalston supports both emerging and established artists, with an emphasis on photography. The exhibition space has hosted work by over 300 photographers since opening its doors in 2011.

For the LCC show, Latisha Berker-Boyd exhibited a collection of naked selfies, some found via Facebook, entitled ‘The Theory of Nude’, inspired by the digital era and current trends in self-expression.

Gizem Kaya’s work explored cliches created by the media about Muslim women, with Gizem juxtaposing portraits of her subject, in which she gazes back at those who have placed her under scrutiny, with the woman’s framed wedding vows.

set up

Students prepare work for their show. Image by exhibiting student Lilian von Keller.

Heidi Agyapong’s ‘Strangers’ featured 28 Londoners photographed using Polaroids, together with a single word the subjects chose to describe their character. Heidi wanted to challenge London’s anonymity by creating a sense of closeness with people we would not otherwise get to know.

‘Vertical Landscapes’ by Lilian von Keller was a surrealist work highlighting the unexplored spaces created by urban architecture, and imagined a vertical walk up the side of a skyscraper.

Video piece ‘Secrets of our Journey’ by Maria-Louisa Harrison used the metaphor of a train journey to address the journey of life and death, with Maria-Louisa’s voiceover playing over continuous footage of train tracks.

Isabel Fernando’s ‘Space’ examined the use of space within the home and its relationship to particular family members, looking at private, domestic areas to ask how space can represent and define personal identity.

You can learn more about ‘Secrets and Lies’ in this feature for Next Up, an online news and culture magazine created by LCC BA (Hons) Journalism students James Childs and Diana Tleuliyeva.

Read more about BA (Hons) Media and Cultural Studies

The post LCC students uncover Secrets and Lies at Dalston’s Doomed Gallery appeared first on London College of Communication Blog.

LCC alumna creates global platform for Congolese fashion

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Congo Fashion Week 2014. Image © Etoile Photo

Marie-France Idikayi, a graduate of LCC’s BA (Hons) Live Events and Television course, has established a global showcase for African fashion in the Democratic Republic of Congo by founding Congo Fashion Week.

The week’s first events took place in Brazzaville and Kinshasa and were inspired by Marie-France’s desire to create a stronger fashion industry in the area by bringing together style and showbusiness.

The LCC alumna is keen to promote upcoming and established Congolese and African designers to the fast-growing international market. Congo Fashion Week features fashion shows, exhibitions and talks, giving buyers, members of the public and the media the opportunity to discover the latest trends in the industry.

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Congo Fashion Week 2014. Image © Etoile Photo

Marie-France hopes that her project will ultimately boost national tourism and contribute to the country’s economic empowerment and growth, building strong brands within the Congolese community both in Congo and the wider diaspora.

Congo Fashion Week attracted attention from Vogue Italia in December 2014 – see the feature here.

As part of her LCC degree, Marie-France also launched a fashion and lifestyle magazine called Molato, meaning fashion, outfit, garment or clothes in Lingala, one of the national languages of the Democratic Republic of Congo.

The magazine’s aim is to promote African fashion and people making a difference in it. Marie-France explains: “Our societies are culturally rich but at times we fail to give them the attention required to share our pride with other nations.”

Marie-France is currently busy preparing this year’s events and building Molato’s audience after receiving business advice from the Congolese government.

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Congo Fashion Week 2014. Image © Etoile Photo

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Congo Fashion Week 2014. Image © Etoile Photo

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Congo Fashion Week 2014. Image © Etoile Photo

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Congo Fashion Week 2014. Image © Etoile Photo

Read the latest edition of Molato

Read more about BA (Hons) Live Events and Television

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