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Your free Showtime profile – be seen by 250,000 people

Showtime is University of the Arts London’s online platform for graduating students to showcase their work. All final year students can create a free, online profile, with an exclusive personalised URL which remains theirs for life. With more than 250,000 visitors each year, this is a crucial self-promotion tool for all our graduating students.

Find out more about Showtime and create your profile

Hear the success stories of former Showtime exhibitors:

Nikita Karizma – X Factor stylist

2012 LCF graduate Nikita Karizma’s Showtime profile was spotted by the X Factor team, who approached her to create costumes for the TV Show. Her designs then appeared on The X Factor contestants and were worn by Little Mix.

Nikita Karizma's Showtime profile

See her Showtime profile

Chris Kearns – interior designer

“I was on the Interior design course 2008/2009. After graduating, I took the summer off and then in the September uploaded my final major project onto the website. Within two weeks of it being up, I had been contacted by a restaurateur looking to open a cafe/bar in Liverpool Street. He’d seen and liked my work on your site and wondered if I’d be interested in designing his new venture. Naturally, I said yes. Over the course of the next year I designed three restaurants for that client – a very successful start to my new business. Thanks for the showcase.”

See her Showtime profile

Steve Rosenthal – Converse commission
“I was commissioned by the Arts Council to make a piece of work to adorn the walls of their offices in Farringdon in spring 2009 , I was then commissioned by Converse to make a new piece for the launch of some new shoes at the old Truman Brewery in November 2009, and was contacted by some ex Saint Martins’ students to participate in a show they mounted in a jazz club on tin pan alley in 2010.I  just wanted to let you know that for me the site’s acted as a great portal to getting my work seen… Many thanks.”

See his Showtime profile

Rachel Irwin – Complexd magazine creative director

“My profile was spotted by fellow UAL graduate Kered Clement, founding editor of Complexd magazine, we met up November 2010 and ever since I have been their Creative Director, designing and laying out the bi-monthly magazine. Its been a great project to work on and a very strong piece for my portfolio.”

See her Showtime profile

Dana Haim - Wieden+Kennedy commmission

“I just graduated from Central Saint Martins about a year ago from the masters in design for textile futures program. I posted my work on showtime around this time last year and wanted to let you know that after that, in September I was commissioned to make a memorial quilt for Wieden+Kennedy in London. You can see the quilt at my website , www.danahaim.com, under Martin Cole Memorial Quilt. This was an amazing project to be a part of.”

 See their Showtime profile

 

Proposal Deadline: Props, Maquettes and Models

Wimbledon Space Logo

If you are submitting an exhibition proposal for this call-out, please note the deadline is Tuesday 30th April, 5pm.

Please ensure that attachments do not exceed 8MB.

CALL FOR PROPOSALS – Props, Maquettes and Models

Wimbledon Space invites proposals from UAL staff and PhD students for an exhibition around props, maquettes and models, to form part of the 2013 – 14 programme.

Proposals should reflect Wimbledon College of Art’s academic portfolio of Fine Art, Theatre and Drawing, its ethos and the history of the college. Proposals that cross disciplines or boundaries and propose collaborative practice are welcome.

For a Proposal Pack and further information, please email wimbledonspace@wimbledon.arts.ac.uk

Closing Date for Applications: Tuesday 30th April 2013, 5pm

Gallery Coordinator
Wimbledon Space
Wimbledon College of Art
Merton Hall Road
London SW19 3QA

Tel: 020 7514 9705
Email: wimbledonspace@wimbledon.arts.ac.uk

Wimbledon Space: Exhibition Event

Harrison and Wood_lores

WITNESSING THE WILDERNESS

The Artist Adventurer From The Urban Wasteland To The Final Frontier

Screening and Panel Discussion
Wednesday 1 May 2013, 5.15 – 7pm
Lecture Theatre, Wimbledon College of Art
Merton Hall Road, Wimbledon SW19 3QA
RSVP to gsevents@arts.ac.uk

This discussion and screening accompanies the group exhibition Witnessing the Wilderness at Wimbledon Space and interrogates our preconceptions of the wilderness, and the role of the artist as adventurer, witness and mediator. Wilderness is both physical topography and a social and cultural construct, promising an untrammeled refuge or a stage for physical challenge and heroic endeavour. Meanwhile, the growth of technologies brings wild places into clear view, allowing them to be witnessed remotely or experienced through mass tourism, producing a complex and evolving definition. The event will include film screenings by artists who are part of the exhibition.

This is a Wimbledon Space event in association with CCW Graduate School Public Research Platforms.

Call for papers: European Institute for Advanced Studies in Management

European Institute for Advanced Studies in Management: 2nd Workshop on Fashioning Management, Antwerp, Belguim

Louis Vuitton, Dolce and Gabbana, Stella McCartney, H&M and Zara are only a few of the well-known fashion labels created in Europe. Fashion plays a significant role in the European economy, starting with the customers. On average, consumers spend € 700 per year on fashion. In the past three years, the clothing and textile industry represented a turnover of € 562 billion with 870,000 companies involved in the process of wholesale, retail and manufacturing, according to Eurostat. Within the thousands of companies involved in the European fashion industry, 5.4 million people are employed. Across the globe this picture grows considerably larger – and becomes a multi-trillion dollar industry employing an estimated 26million people globally. These large numbers suggest that this a successful industry.

Yet, a closer look may reveal a number of concerns – not least, are we witnessing a decline in local understandings in favour of a move towards homogenization.

What is the impact of the globalization of fashion? Is this a good thing? Are we witnessing similarities to how other creative industries have evolved, like the music industry or the book industry? If this growth implies a decline of local creativity or local production does this matter if the industry continues to grow and remain prosperous? What are the implications for the future? What lessons can/should we learn?

In this second fashion workshop we want to move our examination onwards and critically explore the impact of the growth of the fashion industry. What are the strategies for growth? And which business models are succesfull? How can the local creative designer/producer survive in this globalized fashion industry?

Our location in Antwerp allows to draw on local examples of independent creative fashion designers, like Walter Van Beirendonck, Dries van Noten, Anne De Meulemeester, Raf Simons. How do they develop their business in a globalized fashion world? Perhaps there are other examples?

 

CALL FOR PAPERS

We are looking for thoughtful and provocative contributions to the workshop. To present a paper authors should submit a max. 2 page abstract before June 30, 2013

To be acceptable, proposals MUST be submitted only through the website.

All submissions must be in English.

Please click HERE to submit ON LINE.

 

INTERNATIONAL JOURNAL ON ARTS MANAGEMENT

We also are announcing a special issue of IJAM (International Journal of Arts Management) in 2014 – its theme will be: ‘fashion management’.

We are hoping to attract a rich collection of excellent papers to this workshop who we might encourage to submit their papers to this important international journal (all papers will be subject to double-blind review process).

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Date: October 29-30 2013

Time: 09:00-17:00

Location: Antwerp Management School, Sint Jacobsmarkt 9-13, room SJ120, Antwerp

Chairpersons

Ian King, London College of Fashion and University of the Arts, London, U.K.

Annick Schramme, University of Antwerp/ Antwerp Management School, Antwerp, Belgium  

FEES (VAT excluded)

The fees include participation to the worksho, workshop documents, lunches, morning and afternoon refreshments.

For participants affiliated with an institution that is member or associate member of the EIASM’s

Academic Council 200 €

For participants coming from another academic institution 250 €

REGISTER ONLINE

For more information on this workshop, please visit the website.

Free event – UAL Meets Paul Williams

Event: Wednesday 24th April at 4pm at Central Saint Martins’ Platform Theatre Foyer Space

UAL students and staff are invited to come and quiz Paul Williams, founding director of Stanton Williams, the architects behind the Central Saint Martins College of Arts and Design (CSM) campus at King’s Cross, at the next UAL Meets.

Paul Williams

The informal Q&A will be chaired by Pro Vice-Chancellor and Head of CSM Jeremy Till and take place on Wednesday 24th April at 4pm at Central Saint Martins’ Platform Theatre Foyer Space. A bar will be open from 3.30pm and after the talk.

This is the fourth in an exciting series of UAL Meets, following Q&As with Grayson Perry, Michael Wolff and Tom Hulme

Paul formed the partnership Stanton Williams with Alan Stanton in 1985. In November 2011, Stanton Williams were judged to have made the most significant contribution to British architecture over the past year and were presented with the BD Architect of the Year Award 2011 along with the title of Education Architect of the Year.

Paul is actively involved with the concept and design development of many of the studio projects. He has been responsible for many projects including Issey Miyake Shops, the Eton Manor site for the London Olympics, Compton Verney Art Gallery, the Millennium Seedbank and the practice’s exhibition designs and museum installations. Current projects of the practice include King’s Cross Square, the Musee d’Art in Nantes, an art gallery extension for Lincoln College in Oxford, a student residential development at King’s Cross and two prime residential developments on the river Thames.

Those attending the event can put their questions to Paul on the day, and questions can also be submitted via Twitter using the hashtag #UALMeets, or via the online booking form below.

The event will be live tweeted by @UniArtsLondon and highlights will be published on UAL’s news page. To join us, please book your free tickets here.

Berlin Fashion Film Festival: Call for submissions

This year, the London College of Fashion have been invited to participate in the Berlin Fashion Film Festival, part of Berlin Fashion week in July. If you have been making fashion films and are a current student, staff or LCF alumni, please send us your fashion-focussed, innovative and well-crafted films for consideration.

Films must:

  • Present a fashion them or element or have been commissioned by a fashion brand or magazine.
  • Be in English or have English sub-titles
  • Be between 1 – 7 minutes long (and cannot be an excerpt from a longer piece)
  • Be pre-cleared for all music rights
  • Must have completed between June 01 2012 and April 31st 2013 and not been premiered anywhere else

If you would like your film to be considered for the LCF/Berlin Fashion Film Festival, please send or Youtube or Vimeo URL or private link to communications@fashion.arts.ac.uk  by 25 April 2013.

It should be tagged as Berlin Fashion Film Festival and include your name, and course (or year of graduation or relationship to LCF, if appropriate) Please include your e-mail address and contact details. Don’t forget to give us the name of the film, length and key credits (what was your role in the production of the film?)

Selection will take place on Tuesday 30th April and all applicants will be informed of the outcome. We look forward to seeing your work.

Registration now open for Digital Fashion Conference

DFCDigital Fashion Conference16-17 May 2013, London College of Fashion, UAL

Registration for the Digital Fashion Conference 2013 is now open, offering great early bird rates.

The inaugural event organised and hosted by the Fashion Digital Studio, London College of Fashion, University of the Arts London and establishes a premier international forum for the dissemination of novel scholar work on the interplay between fashion, digital technology and interaction design. The event will be attended by industry and academia and featuring keynote speakers and presentations from both.

The conference organisers have received high-quality research papers introducing new ideas to the fields of new fashion media, commerce and retail, computer-aided design, digital fabrication, 3D technologies and wearable technology.

The conference will consist of a number of keynote speakers (including Professor Hod Lipson from Cornell University), panel discussions on fashion media, e-commerce, additive manufacturing and digital fashion research laboratories, and papers and student posters over 2 days.  To register please visit the UAL E-store or contact Susan Hamilton.

 

Final Shades of Noir Big Debate at London College of Fashion

LCF is to host the final discussion around race equality in creative higher education and creative practice at 6.30pm on Thursday 7 March, bringing to a close the series of college debates organised by Shades of Noir.

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The debates aim to stimulate broad discussion and engagement on the impact of race within the higher education, creative and cultural sectors amongst internal and external audiences.

Shades of Noir, a long term project and movement for change across UAL, has been working towards addressing the degree attainment gap between black and minority ethnic and white home students.

Project Manager Aisha Richards says: “The Big Debates have provided a safe place for lively discourse both within and beyond the university. The panellists’ knowledge, expertise and perspectives shared at the debates have generated bold ideas that will help inform our strategies for long term change.”

Panellists have been drawn from a diverse range of sectors including television and radio, fashion, creative arts, business and politics. Blind marking and positive action are just two of the major issues discussed at previous debates at Chelsea  and LCC. The upcoming debate at LCF will focus on race in the creative industries, with issues under discussion including the engagement of black and minority ethnic communities in museums and galleries and race equality in the world of fashion.

The line-up of panellists for the LCF event includes fashion designer Colin Thompson, who has designed for Dolce and Gabbana, Prada  and Moschino.

Big Debate panellists:

Colin Thompson trained in fashion design at Ravensbourne College and the Royal College of Arts. During his twenty years in the fashion industry he has designed for some of the top haute couture labels including Dolce and Gabbana, Prada, Moschino and Valentinto. In recent years he has lectured in fashion at several higher education institutions including the University of Northampton  and the Birmingham Institute of Art and Design.

Buki Akiba studied design at Central Saint Martins College of Arts and Design and is now a successful menswear designer in Lagos, Nigeria. Buki’s trademark designs feature knitting with African fabrics such as the Yoruba hand-woven Aso-Oke with silk and cotton to create a luxury fabric. She plans to open a studio factory in Ghana to revive the African textile industry with government support.

Luke David is a producer and director for the BBC’s regional current affairs programme Inside Out. He started his career as a reporter on a local weekly newspaper in London before going to work for a number of national titles and then television. He specialises in investigative journalism.

Chantal Badjie is currently based at the BBC Diversity Centre as a project manager. Her achievements include managing the BBC’s Abolition of the Slave Trade Season in 2007 and the BBC’s Darwin Season in 2009. In 2011 she delivered the BBC’s Mixed Race Season and independently runs a Mixed Race Reading Group for young people with issues around identity, alcohol and drug abuse.

Aaron Kiely is the National Black Students Officer for the NUS and co-convenor of the Anti-Racism Anti-Fascism within NUS. He studied criminology and social policy at the University of Kent, and currently sits on the national committee for One Society Many Cultures, the Venezuela Solidarity Campaign.

Pamela Kember is an independent art historian specialising in contemporary Chinese art. She previously lectured at the Academy of Visual Arts at Baptist University in Hong Kong and was Adjunct Assistant Professor at the Department of Architecture, Chinese University. She currently curates and lectures on Asian contemporary artists at Chelsea College of Art and Design.

Chair, Anthony Ebanks is an International Transformation Architect who supplies change management and professional training to both government and commercial bodies.  Anthony’s work has affected change within a range of organisations including D&AD, BBC, Sky, and Pearson Government Solutions.

If you would like to attend this event, please RSVP to k.hecker@arts.ac.uk

Ian Noble (1960-2013)

It is with much sadness that we announce the sudden loss of our ex LCC colleague and friend Ian Noble who died 30 January 2013. Ian played a significant role in the changing face of graphic design education at LCC. Ian’s contribution to the lives of thousands of students and designers as an educator, designer, writer and mentor was instrumental in ensuring the people he worked with were at the forefront of their field.

I first met Ian when he arrived at LCP in 1997 to run the BA course. I would send him students from Chelsea’s foundation course that I knew he would be able to inspire and influence with his passion for graphic design. He would regularly give me updates on them and let me know how they were getting on. Despite the size of the course Ian knew all of his students and they knew him. They were in awe of this huge character that would live and breathe all things graphics but also knew how to get the best from his students by challenging their perceptions and approaches to design. Ian was also a great observer and consumer of popular culture which fed his inquisitive personality. One Twitter user reacted to Ian’s death by urging his friends to listen to the Clash “loudly and in inappropriate places” by way of tribute.

Ian left LCC to take up a senior academic role at Kingston University two years ago. It was a huge loss to LCC at the time but the loss we feel now of losing a great colleague and friend is beyond measure. His influence and passion lives on through ex students, colleagues and friends.

Natalie Brett, Pro Vice Chancellor and Head of College, London College of Communication

 

During a career spanning over 20 years in education, Ian’s links to design courses, design schools, colleges and universities nationally and internationally were both far-reaching and deep-rooted. Ian’s influence as a design educator inspiring design students, practitioners and academics was through his inspirational teaching and lecturing style and through his books, some co-authored with Russell Bestley at LCC, that explored contemporary communication design through the eyes of a practitioner and a passionate advocate for the ‘theory of practice and not the practice of theory’. Ian’s books are on the required reading lists of courses in communication design nationally and internationally – Ian played an enormous part in the education of many many graphic designers and played an extremely active role in the field of communication design research. Ian was a big big figure (Ian would enjoy the poor pun) in communication design education. He will be much missed by our community – by many friends, colleagues, students and alumni. One tweet, of many broadcast following his death, said it best – ‘Everyone should listen to the Clash today. Loudly and in inappropriate places. A tribute to Ian Noble. RIP.’ Quite.

Lawrence Zeegen, Dean of  School of Design, London College of Communication.

 

Ian Noble was an inspiring teacher who believed in ‘a theory of practice, not the practice of theory’. MA Graphic Design Course Director Russell Bestley pays tribute to an innovator in graphic design education.

Ian taking an MA class at LCC in 2002. Picture courtesy Russell Bestley.

Ian taking an MA class at LCC in 2002. Picture courtesy Russell Bestley.

It is with great sadness that we must announce the passing of one of the great innovators in modern graphic design education, writes Russell Bestley. Ian Noble, teacher, author, designer, outstanding mentor and critical friend to both professionals and students of graphic design alike for more than 25 years, passed away on Wednesday 30 January, 2013.

The impact of his death still resonates across the higher education and design communities. His influence touched so many lives on a personal, professional and academic level.

Following a period of time as a professional graphic designer, notably working in the magazine design industry, Ian returned to the educational field in the late 1980s. Working first at Portsmouth College of Art, he navigated the changes in higher education and the transition toward incorporation with Portsmouth Polytechnic (subsequently the University of Portsmouth) during the early 1990s. During this time he became renowned as an inspirational and charismatic teacher. His influence affected both his students and his peers during a period of intense international reflection on the nature and subject of graphic design as a practice.

Ian believed in the value of design education and the need for graphic design to examine itself from within – to re-evaluate the methods and systems that designers often take for granted and to establish what he termed ‘… a theory of practice, not the practice of theory’.

This critical approach to the nature of design, he thought, could help raise the status of designers as mediators (rather than simply facilitators) of visual communication – a process of ‘informed engagement’ with the content and structure of the message.

He took up a role as head of the undergraduate Graphic Design programme at the London College of  Communication in 1997, rewriting and structuring the course to extend these ideas to the education of an upcoming generation of designers at a time when the industry itself was in flux with the impact of new technologies and the ‘academicisation’ of the subject. Ian’s belief in the value of design thinking and strategy – in methodology – as crucial to the process of design, whatever the changes in tools or craft, helped students successfully understand their role and position.

From 2001 on, Ian took over the postgraduate graphic design programme at the LCC, further developing and shaping his understanding of the process of design, and inspiring students to rethink their own established practices. This concentration on the activity of design, rather than its end-product, helped to shape a new direction in the education and practice of designers nationally and internationally – Ian was in great demand to offer advice and give critical feedback to many other institutions, while at the same time his reputation among design professionals spread far and wide.

In 2010, he took on the role of Course Director MA Communication Design at Kingston University, reshaping and transforming the postgraduate design framework with a new group of staff and students.

Ian Noble at Induction day, MA Communication Design, ESAD, Portugal. Picture courtesy Andrew Howard.

Ian Noble at Induction day, MA Communication Design, ESAD, Portugal. Picture courtesy Andrew Howard.

I first met Ian when I re-entered higher education as a mature student in the late 1980s. His intellect, understanding and caring nature inspired me, like many others, to establish my own critical position and thinking. We worked closely together since that time, co-authoring a number of books focusing on a critical interrogation of the design process, delivering workshops at colleges and universities across Europe and North America, and running our own design group, Visual Research (which also became the title of our book on graphic design methodologies, recently reworked as a second edition and published internationally).

Ian will be fondly remembered as a charismatic, energetic, observant, warm and hugely entertaining and inspiring individual, whose influence will be felt for many years to come. His influence on the world of design education is obvious to anyone who worked with him (of which there are many), but equally his impact within his own wide network of friends and allies in his hometown of Portsmouth cannot be underestimated – he was loved by many, and he will be sorely missed.

Ian Noble, b. 15 October 1960, d. 30 January 2013; designer and educator.

Ian Noble at the award ceremony at the Titan International Illustration in Design competition, ESAD, Portugal, where Ian was a guest speaker. Courtesy Andrew Howard.

Ian Noble at the award ceremony at the Titan International Illustration in Design competition, ESAD, Portugal, where Ian was a guest speaker. Courtesy Andrew Howard.

First published on the Eye blog, 8 February 2013, http://www.eyemagazine.com/blog/post/ian-noble-1960-2013

Add your comments to Ian’s tribute page ian-tribute.studioandrewhoward.com

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