Latest News

MA Graphic Design graduate works on V&A ‘Disobedient Objects’ exhibition identity

DO_posters_01

Disobedient Objects Poster, 2014.

Marwan Kaabour, an MA Graphic Design graduate, has just completed work on the V&A’s current exhibition ‘Disobedient Objects’. With a history in political design, Barnbrook Design, where Marwan works, was commissioned to design the visual identity, exhibition graphics, book and marketing campaign for the exhibition.

382A8261

Disobedient Objects Exhibition, 2014.

We caught up with Marwan to find out more about the design process and inspiration.

“The exhibition identity was centred around a prominent theme of the exhibition; the ingenious transformation of everyday objects into weapons of social change. Intrinsic to our thinking was a hope that the Disobedient Objects will be viewed not just as activist objects but as thoughtfully designed objects.

DO_book_01

Disobedient Objects Book, 2014.

“In the spirit of the exhibition, the book designed to accompany the exhibition surpasses conventional definitions of an exhibition catalogue. As well as a series of how-to guides, the book contains six essays and round-table discussions that deal in rich detail with the themes highlighted by the exhibition. The essays are illustrated with images of the objects in context.

“Each essay opens with a list of (disobedient) objects that are subject to the same call to arms as the book cover and posters. The same objects are underlined throughout the book, offering an alternative reading of the texts; disobedient quotes that crudely interrupted the text. In a spirit of openness, the book features an exposed spine thereby revealing its own construction and highlighting a red thread that runs throughout.

DO_invitation_01

Disobedient Objects Invitation, 2014.

“The posters take on the technical language of a user manual with hope to empower the audience and have them create disobedient objects of their own.”

Read more about MA Graphic Design.

Read more on Marwan’s work on this project.

The post MA Graphic Design graduate works on V&A ‘Disobedient Objects’ exhibition identity appeared first on London College of Communication Blog.

Alumnus Daniel Chehade curates poster exhibition for LCC’s ’160′

daniel portrait

Daniel Chehade at work

Our current trio of exhibitions as part of London Design Festival, ’160′, has been attracting a lot of attention recently, but visitors may not know that one of the shows has been curated by an LCC alumnus.

Daniel Chehade graduated from the College’s BA (Hons) Graphic and Media Design and Diploma in Professional Studies courses and has masterminded ‘Alan Kitching and Monotype: Celebrating the Centenary of Five Pioneers of the Poster’.

The exhibition presents a unique set of prints created to celebrate the 100th anniversary of five giants of graphic design: Tom Eckersley, Abram Games, FHK Henrion, Joseph Müller-Brockmann and Paul Rand.

monotype type image

Preparing for LCC’s ‘Alan Kitching and Monotype’ exhibition

Daniel founded Studio Chehade in 2012 and has undertaken curation and design for the Alan Fletcher archive, exhibition design for The Hayward Gallery, and has worked with Aram Gallery, Hidde van Seggelen Gallery and Peter von Kant.

He was first introduced to Alan Kitching during his Diploma in Professional Studies year in industry at LCC, when he worked on a memorial book on graphic designer Alan Fletcher, and then went on to work for the Alan Fletcher studio after graduation.

alan kitching

Alan Kitching in his studio

Speaking about the forthcoming exhibition and accompanying panel discussion ‘Five Lives in Posters’, Daniel explained:

“Being an alumnus, it is a great pleasure (and pride) to bring this exhibition and event to LCC. It’s a natural fit for this celebration of five influential graphic designers and the collaboration between two typographic heavyweights Alan Kitching and Monotype.”

We caught up with him to hear more.

How do you feel the exhibition connects to the College itself?

“Alan Kitching and Monotype are two huge typographic forces. London College of Communication is a hotbed for up-and-coming graphic designers with typography and printing at its heart (as well as in its history). Both Eckersley and Henrion taught here whilst Alan has given numerous workshops and talks. It’s the perfect fit.”

What you would like visitors to take away from the show?

“Working with Alan Kitching during this project has been an honour. I hope visitors enjoy seeing not only the finished prints but also the glimpse into Alan’s workshop and his design process. The attention to detail in Alan’s work and his commitment to the quality of each piece has been inspiring.

“It’s also a great opportunity to look back at each of the five designers celebrating their centenary. Throughout my research I’ve become acutely aware of their significance, in how we practise and teach graphic design today.”

grad school graphics resized

Graphics for the LCC Graduate School launch earlier this year

In fact, Daniel’s work has already been seen around the College as he was commissioned by the LCC Graduate School to design its branding for the School’s launch earlier this year. So what inspired his designs?

“The identity for the Graduate School stemmed from the fact that’s a school without a fixed programme. It operates across both the School of Design and Media. The multi-disciplinary nature of the College means students share and collaborate beyond their own course and subject area.

“The Graduate School’s events programme also acts as a platform for discussion, ideas, sharing, talks, opportunities etc. The logotype reinforces this with a literal platform or underline.”

Graduate School Coordinator Holly McConnell describes why Daniel was selected for the project:

“I think it’s really important that we work with graduates on projects like the Graduate School launch. As students, they have lived and breathed LCC so their work is always reflective of the culture here. Daniel was a natural choice for this project, his portfolio showed considered, thoughtful and creative solutions that conveyed a strong sense of the subject.

“His designs for the Graduate School were no exception, creating a simple but powerful identity that has been an instant success with staff and students.  He also happens to be a very nice chap to work with!”

Read more about the ’160′ exhibitions at LCC

Read about BA (Hons) Graphic and Media Design

Read more about the LCC Graduate School

The post Alumnus Daniel Chehade curates poster exhibition for LCC’s ’160′ appeared first on London College of Communication Blog.

Video // ’160′ at LCC for the London Design Festival

Check out this video preview of our London Design Festival exhibition ’160′, including ‘50 Years of Illustration‘, ‘Alan Kitching and Monotype: Celebrating the Centenary of Five Pioneers of the Poster‘ and ‘Stereohype 2004-2014‘.

Professor Lawrence Zeegen, Alan Kitching, Daniel Chehade and Tomi Vollauschek talk about this celebration of influential design across the past 100 years and explain why the shows are so significant to LCC itself.

160_screen_160

Read more about ’160′ at LCC

The post Video // ’160′ at LCC for the London Design Festival appeared first on London College of Communication Blog.

LCC graduate photographer Lewis Bush explores Europe in first solo show

7

European Commission Exit, Brussels, Belgium. © Lewis Bush

If you’ve seen any of our official photography during the past year – from our Summer Shows to other high-profile events around the College – there’s a very good chance you’ve seen the work of LCC alumnus Lewis Bush.

If you were studying on MA Photojournalism and Documentary Photography last term, you’ll know him even better as a current visiting practitioner on the course.

Lewis is now staging his first ever solo exhibition, ‘The Memory of History’, at Europe House, Smith Square, presenting the photography he produced during a journey across Europe for his MA in 2012.

The exhibition looks at the role of the past in shaping the recent European recession and currency crisis, with images taken in ten European Union countries.

‘The Memory of History’ explores how economic hardship and uncertainty prompted difficult narratives from the past to re-emerge – with the divisive potential to threaten the continent’s future.

9

Honour Guard, Vienna, Austria. © Lewis Bush

10

Franco-Prussian War Monument, Berlin, Germany. © Lewis Bush

Inspired by Paul Graham’s influential 1993 photobook ‘New Europe’, Lewis travelled through France, Belgium, Germany, Austria, Hungary, Bulgaria, Greece, Italy, Spain and Portugal looking for signs of recent European history which resonated with present-day economic and political difficulties.

Lewis explains:

“We tend to see the past as something which is distant and unimportant, but our memories of history continue to shape our present behaviour in ways which can be both positive and negative.

“We forget the past at our peril, but remembering it can sometimes be just as fraught with difficulty.”

Looking back on his photographic odyssey, Lewis told us:

The trip was eye-opening to say the least. Many of the things I’d grown up believing about Europe came under question, and at times it really felt like the whole thing might be going to unravel.

At the same time I saw things that reaffirmed my belief that people are all basically the same, and that for all the bad history between them the different nationalities in the EU have far more in common with each other than they have in difference.

Set to resume visiting practitioner duties this year, he added that teaching LCC’s photojournalism students has been “an amazing combination of exhaustion and inspiration”.

“The students come in with brilliant ideas which are sometimes in quite a raw state, and then it’s just a huge amount of fun working with them to try and shape these ideas into the best pieces of work possible.”

1

Fortune Telling Machine, Thessaloniki, Greece. © Lewis Bush

2

One Million Mark Note, Berlin, Germany. © Lewis Bush

The Memory of History
Wednesday 17-Friday 26 September 2014
Monday – Friday 10am-6pm

12 Star Gallery
Europe House
32 Smith Square
London
SW1P 3EU

Read more about MA Photojournalism and Documentary Photography

Read Lewis Bush’s photo blog Disphotic

Visit the 12 Star Gallery website

The post LCC graduate photographer Lewis Bush explores Europe in first solo show appeared first on London College of Communication Blog.

LCC Inside Out

LCC is excited to be a part of the Inside Out Festival 2014! The festival, which is curated and produced by TCCE (The Culture Capital Exchange) in association with Times Higher Education, aims to highlight the capital’s cultural and creative kudos from the inside out.

Inside Out will showcase, for the fifth year running, the fascinating contribution made by London’s universities to the city’s cultural life. A huge number of events will take place on both university campuses and at leading London venues throughout the week.

The wider public is encouraged to participate in a broad range of activities from the performing and visual arts through to literature, design, fashion as well as the sciences and social sciences.

Here is a preview of the events that LCC will be hosting this year…

LCC_GraceAdam1

‘Framing the Elephant’
Monday 20 October 2014

A day of pop-up drawing for people who draw and people who don’t!

This events encourages attendees to stop, look, and draw, by creating fast, fun drawings of the view from inside London College of Communication.

LCC_Illustration

’50 Years of Illustration’
Monday 20 October 2014

Professor Lawrence Zeegen, Dean of the School of Design at London College of Communication, presents his book ’50 Years of Illustration’, charting contemporary illustration’s rich history, in a lecture accompanying a major exhibition.

silver-surfers2-540x453

‘Is Silver Surfing the Solution for Social Isolation?’
Tuesday 21 October 2014

This expert panel debate brings together leading researchers, practitioners and industry professionals to discuss how digital and social media can tackle loneliness and social isolation amongst people over the age of 65.

72-82

’72-82: Richard Wilson in conversation with William Raban’
Thursday 23 October 2014

This screening of ’72-82′ will be followed by a discussion between the film’s creator and LCC Professor of Film William Raban and Richard Wilson, renowned sculptor. ’72-82′ tells the story of the first ten years of Acme Studios and their groundbreaking work providing artists’ housing and studios in London.

View the Inside Out events programme at LCC

Read more about Inside Out 2014

The post LCC Inside Out appeared first on London College of Communication Blog.