Archive for the ‘Research’ category

Symposium: Looking at L’Herbier

Film Still from 'Le Vertige' (1928) by Marcel L'Herbier

Film Still from ‘Le Vertige’ (1928) by Marcel L’Herbier

Looking at L’Herbier: French Modernism between the Wars
Friday 17 May 2013, 2:30 – 5:30pm, Free entry (rsvp)
LVMH Lecture Theatre, CSM, 1 Granary Square, London 

Organised in conjunction with the film festival Marcel L’Herbier: Fabricating Dreamsthis half-day symposium looks at fashion, cinema and inter-war Paris.

Bringing together a number of scholars working across fashion, film, art and design history, and featuring rare film clips, Looking at L’Herbier offers a critical reassessment of a prolific and important film director in the context of modernism. Part of the artistic milieu of Paris in the inter-war years, L’Herbier collaborated with many major cultural figures including the painters Fernand Léger, Sonia and Robert Delaunay, the composers Darius Milhaud and Arthur Honegger, the architect Robert Mallet-Stevens, designers Alberto Cavalcanti and Claude Autant-Lara, and couturiers Paul Poiret, Lucien Lelong and Louise Boulanger.

The symposium will investigate L’Herbier’s role in modernist aesthetics and cultural production, spanning not only art and design but also the shifting gender formations of the 1920s and 30s against the backdrop of both the Parisian avant-garde and the worlds of style, interiors and fashion.

Programme

2.30 – 2.45

Introduction from festival co-curator Caroline Evans (Professor of Fashion History and Theory, Central Saint Martins)

2.45 – 3.45

Keynote lecture by Mireille Beaulieu (Paris-based independent film curator and L’Herbier specialist) entitled ‘Marcel L’Herbier: moving human decor’ on Marcel L’Herbier’s work with costume and fashion designers, within his concept of “cinéma total”.

3.45 – 4.15

Break

4.15 – 4.45

Dr Tag Gronberg (Reader in History of Art and Design, Birkbeck, University of London) will give a talk entitled ‘Femininity, Modernity and Motion Pictures’, on art, design and images of women, focussing on issues raised by L’Herbier’s collaboration with the artists Robert and Sonia Delaunay.

4.45 – 5.15

Dr Joan Tumblety (Senior Lecturer in History, University of Southampton) will give a talk entitled ’Jaque Catelain and the cultural negotiation of manhood in 1920s France’. This talk sets the ‘ephebic’ masculinity of one of Marcel L’Herbier’s favourite lead actors in relation to emerging post-war cultures of celebrity, and to the shifting gender ideals of the period.

5.15 – 5.45

Esther Leslie (Professor of Political Aesthetics, Birkbeck, University of London) will give a talk on ’Film and Flimsy’ that evokes the materiality of film itself by examining the fabrics (some filmy) that best suit filming, emphasizing reflections, play of light, and luxurious textures. Her talk also investigates the language we use to describe both film and fabric.

Please rsvp on the event page.

Fashion in Film Festival banner

Moose on the Loose: Book Launch and Signings

Moose-on-the-Loose-logo-1000px

Moose welcomes you to an evening event launching books by Stuart Griffiths, Tom Hunter, Chris Harrison, Grace Lau, David Moore and Marjolaine Ryley, plus the latest issues of the journal Photography & Culture and Fieldstudy. The photographers will give a short introduction to the ideas and processes behind their books.  Bring along a drink and your favourite glass. Best Glass Prize awarded on the night by MacDonaldStrand and GOST. MacDonaldStrand will also be organising a photography quiz, with a prize…

Join us on the 16th May, from 7 -9pm  at Shoreditch Town Hall, Council Chambers, 380 Old Street, London, EC1V 9LT

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ICA Friday Salon: Instant Publishing/Automatic Writing

Duncan White_Untitled_2012_video

 

This ICA Friday Salon organised by Duncan White (artist, author and researcher, CSM, London) and Louise O’Hare (Publish And Be Damned, London) looks at immediate distribution, teasing out the relationship between experimental writing and publishing practices.

With videos and performances from Caroline Bergvall, Riccardo Iacono, Fiona James, Erica Scourti and Camilla Wills this Salon elaborates on themes established by the video programme installed at the PABD 2013 fair in March this year.

Friday 10 May 2013, 3pm, ICA Studio
Institute of Contemporary Art, The Mall, London, SW1Y 5AH

More on the project can be found on the ICA Blog.

Tickets are available on the ICA website.

Entry: £5 or Free to ICA Members (Student Membership is just £10 for a year)

The post ICA Friday Salon: Instant Publishing/Automatic Writing appeared first on Central Saint Martins: News.

Enabling the Curators : A Conversation with Dame Rosalind Savill and Christopher Cook

enabling-curators

The LCF Curation Series presents:
Enabling the Curators : A Conversation with Dame Rosalind Savill and Christopher Cook

Date: Thursday 30 May 2013
Time: 17:30 – 18:30
Location: RHS West Space, London College of Fashion, 20 John Princes Street, London, W1G 0BJ

Dame Rosalind Savill, former director of the Wallace Collection, in conversation with Christopher Cook, talks about leading and enabling a team of curators at a time of change in ideas about the role of curatorship and the nature of the institution that they work within. How are the competing claims of scholarship and an exhibition policy that will increase visitor numbers to be negotiated? Is specialist knowledge of one particular area of a collection the only criterion for a successful team of curators?

Please RSVP to Laura Thornley ASAP.

Visitors that have a physical disability which may affect their mobility are asked to contact us in advance to discuss their access needs. Information about the building can be found on the Locations area of our website, please note that not all areas of JPS are accessible. The event space at John Princes Street is accessed via one flight of stairs. Visitors who will need support to enter or exit the building are asked to make themselves known to the LCF Events team team when booking.

From A-B via Z: Dress and the African Diaspora as a Methodology

knitted

Artefact & Curation Research Hub presents:
FROM A-B VIA Z: DRESS AND THE AFRICAN DIASPORA AS A METHODOLOGY
Professor Carol Tulloch, CCW Graduate School, UAL

Date: Wednesday 5th June 2013
Time: 17.30 – 19.00, followed by a reception on the Terrace
Location: RHS Centre Space, London College of Fashion, 20 John Princes Street, W1G 0BJ

In a recent summary of Tulloch’s practice as a writer and curator, she claimed that her research interest in dress and the African diaspora had led to making the subject into a methodology. The exhibitions she has curated provided the space, literally and conceptually, to develop this. This talk will review the mechanisms that have informed this curatorial process.

Carol Tulloch is Professor of Dress, Diaspora and Transnationalism at the University of the Arts London. She is based at the CCW Graduate School, and is a member of the Transnational Arts, Identity and Nation Research Centre (TrAIN). She is also the TrAIN/V&A Fellow at the V&A Museum. As a curator and writer Carol has explored a range of issues on dress and black identities, style narratives, cross cultural and transnational relations, cultural heritage, auto/biography and personal archives. Her work includes the exhibitions: A Riot of Our Own (2008-2012) Handmade Tales: Women and Domestic Crafts (2010-11) and Black British Style (co-curator 2004). Grow Up!: Advice and the Teenage Girl Exhibition (2003), Curator Tools of the Trade: Memories of Black British Hairdressing Exhibition. Her publications include: ‘It Takes a Nation of Millions to Hold Us Back: Freedom and the Dynamics of the African Diaspora’ (2012), ‘Dress and the African Diaspora’, special issue of Fashion Theory, Journal of Dress, Body and Culture (editor, 2010), Style-Fashion-Dress: From ‘Black’ to ‘Post-black’ (2010), Being at Home: Familial Dress Relations and the West Indian Front Room (2009), Resounding Power of the Afro Comb (2008), Black Style (editor, 2004).

This event is open to staff, students and external guests, please RSVP to Hub Coordinator, Dr Wessie Ling.

The Artefact and Curation Hub is a UAL wide London College Fashion based research hub, coordinated by Dr Wessie Ling. It is an informal forum to discuss practices related to artefact and curation. We welcome university-wide colleagues and postgraduate students to share their practice-base research and interest in our hub meetings.

Visitors that have a physical disability which may affect their mobility are asked to contact us in advance to discuss their access needs. Information about the building can be found on the Locations area of our website, please note that not all areas of JPS are accessible. The event space at John Princes Street is accessed via one flight of stairs. Visitors who will need support to enter or exit the building are asked to make themselves known to the LCF Events team team when booking.

LCF Forum for Drawing presents: Some Blue Sky Thinking

apparition_papercut-charlotte-hodes

Apparition papercut detail, 2013, Charlotte Hodes

Forum for Drawing Research Hub presents:
Some Blue Sky Thinking

Date: Wednesday 15 May 2013
Time: 17:30 – 18:30
Location: RHS East Space, London College of Fashion, 20 John Prince’s Street, London W1G 0BJ

This Forum for Drawing ‘blue sky thinking’ evening welcomes colleagues, staff and researchers from LCF to bring any or all
ideas that they may have about progressing their own research, events or curriculum development which relates, even tangentially, to drawing.

Contributions of ideas both at an early stage and those that are more developed are all welcome.

RSVP essential to Charlotte Hodes, Professor in Fine Art, LCF.

Visitors that have a physical disability which may affect their mobility are asked to contact us in advance to discuss their access needs. Information about the building can be found on the Locations area of our website, please note that not all areas of JPS are accessible. The event space at John Princes Street is accessed via one flight of stairs. Visitors who will need support to enter or exit the building are asked to make themselves known to the LCF Events team team when booking.

LCF Management and Retailing Research Hub presents: Avenues for Research and Collaborations

avenues

The Management and Retailing Research Hub presents:
Avenues for Research and Collaborations

Date: Wednesday 22 May 2013
Time: 17:00 – 18:30
Location: Room 607, London College of Fashion, 20 John Princes Street, London, W1G 0BJ

Recently appointed HUB Coordinator Rosemary Varley will set out her vision for management oriented research within LCF and invite a lively debate on future directions for this Hub. The event will be a discussion based around:

  • Research project ideas and themes including (but not restricted to) Retail Operations and Strategy; The Retailing ‘Landscape’ and Fashion Branding and Brand Marketing
  • Opportunities for dissemination and publication
  • Your ideas about activities future hub sessions might host
  • The possibility of a new name for the Hub

All staff and PhD Research Students who are research active (or keen to be so) in Management and Retailing contexts are welcome, please RSVP ASAP to Hub Coordinator Rosemary Varley.

Bowie: Pop Culture in Mainstream Museums

The LCF Performance Hub Presents:
Bowie: Pop Culture in Mainstream Museums

bowie-aladdin-sane-kansai-yamamoto

Date: Wednesday 29 May 2013
Time: 17:30 – 19:00
Location: RHS East Space, London College of Fashion, 20 John Prince’s Street, London W1G 0BJ

David Bowie Is, the first major retrospective on David Bowie’s career, has been acclaimed by critics and is the Victoria and Albert Museum’s fastest selling exhibition. Victoria Broackes, co-curator and Head of Theatre and Performance exhibitions at the V&A, will discuss the development of the exhibition and put it in the context of the V&A’s rock and pop collections and broader display programme. As well as giving insights into the making of the exhibition she will explore the challenges, and value, of displaying pop culture at the V&A, the world’s largest museum of art and design.

Victoria Broackes’ presentation will be followed by an in-conversation with filmmaker and Bowie fan Pratap Rughani.

Victoria Broackes is Head of Exhibitions for the V&A Department of Theatre & Performance, and Head of Festival for the London Design Festival at the V&A. She is co-curator of David Bowie is (2013) and has developed a several other popular music displays for the V&A, from Kylie: The Exhibition (2007) to The Story of the Supremes (2008) and The House of Annie Lennox (2011).

Pratap Rughani’s work as a documentary maker includes twenty-five films for BBC 2 and Channel 4; commissions from The British Council and research-supported projects designed for exhibition in gallery spaces such as Modern Art Oxford. He is Course Director for MA, Documentary Film at LCC.

This event is hosted by the Performance Research Hub at LCF, which is co-ordinated by Donatella Barbieri, Senior Research Fellow, Design for Performance, jointly LCF and V&A.

This event is RSVP only, it is open to external guests, UAL staff and post- graduate students from across UAL. To secure your place please RSVP ASAP to Luella Allen stating the event name, your name and course (if applicable), please state if you are external to UAL so that reception can allow you entry to the building.

Visitors that have a physical disability which may affect their mobility are asked to contact us in advance to discuss their access needs. Information about the building can be found on the Locations area of our website, please note that not all areas of JPS are accessible. The event space at John Princes Street is accessed via one flight of stairs. Visitors who will need support to enter or exit the building are asked to make themselves known to the LCF Events team team when booking.

Call for Papers: Science, Imagination, and the Illustration of Knowledge

4th International Illustration Symposium. Organised by Illustration Research, in collaboration with University of Oxford Museums and Collections

Oxford, UK, November 7-8, 2013

‘Every great advance in science has issued from a new audacity of the imagination.’  John Dewey

The Science, Imagination and the Illustration of Knowledge symposium will consider the contemporary and historical role of illustration in relation to the collection, processing, understanding, and organisation of knowledge and associated questions of epistemology and pedagogy. The symposium is organised by Illustration Research in collaboration with the Oxford University Museum of Natural History, the Pitt Rivers Museum, and the Museum of the History of Science and these world famous collections will provide an important context for the exploration of these issues alongside presentations from curators.

We therefore invite submissions of papers on any of the following themes, and/or the suggestions of panels (three speakers).

  • Drawing as a means of investigating the world
  • Diagrams, working drawings and field notes
  • Books and manuals, info-graphics, instructional and pedagogic material
  • Visual taxonomies, classification and differentiation of categories of knowledge
  • Visualising the invisible
  • Visualising the body
  • Phantasms, grotesques, shadows: the imagined body
  • Science and magic
  • Healing images
  • Darwin’s legacy

Papers are invited from practising illustrators, from scientists and from academics. Please submit 500 word proposals for papers and/or panels to Adrian Holme a.holme@camberwell.arts.ac.uk by Friday July 5, 2013.

The Journal of Illustration

Papers selected for presentation will also be considered for submission to the forthcoming Journal of Illustration (Intellect)

University of Oxford Museums and Collections

http://www.museums.ox.ac.uk/

Illustration Research

Illustration Research is an international network of academics, researchers and practitioners in the field of illustration. It has held annual International Symposia for the past three years: 2010 (Cardiff), 2011 (Manchester MMU), 2012 (Krakow Ethnographic Museum, Poland).

 

 

Radical Gestures: designing protest, resistance and refusal

Image: Robert Sinfield

Image: Robert Sinfield

Free one-day symposium, 1 June 2013
CSM, 1 Granary Square, London N1C 4AA

We are interested in dissent and protest, collaborations between artists and activists, the spectacle of organised protests, the improvised ‘uniforms’ of protesters,  design activism, but also the everyday refusals to conform often expressed through a range of bodily gestures, dress and subversion of spaces and objects.

‘They’re attempting to invent what many call a ‘new language’ of civil disobedience, combining elements of street theatre, festival and what can only be called non-violent warfare…’ (David Graeber, The New Anarchists, 2002)

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